A work in constant progress (and occasional regress).
Additional Sound Re-Recordist:
2005 Monobloc
Boom Operator:
2005 Monobloc
2018 All Inclusive
Foley:
2005 Monobloc
2012 The Vampire Spider
2018 All Inclusive
Sound:
2003 No Escape
2005 Monobloc
2012 The Vampire Spider
2013 20,000 Kisses
2018 All Inclusive
2019 La Insubordinación de los privilegiados
2022 Don't Come Back Alive
2023 BIZAPOP
2023 Bill 79
2025 Biónica
Sound Assistant:
2003 No Escape
2005 Monobloc
2012 The Vampire Spider
2013 20,000 Kisses
2018 All Inclusive
2018 Animal
2019 La Insubordinación de los privilegiados
2022 Don't Come Back Alive
2023 BIZAPOP
2023 Bill 79
2025 Biónica
Sound Director:
2003 No Escape
2005 Monobloc
2012 The Vampire Spider
2013 20,000 Kisses
2018 All Inclusive
2018 Animal
2019 La Insubordinación de los privilegiados
2022 Don't Come Back Alive
2022 The Future of a Life in Common
2023 BIZAPOP
2023 Bill 79
2025 Biónica
Sound Editor:
2003 No Escape
2005 Monobloc
2012 The Vampire Spider
2013 20,000 Kisses
2018 All Inclusive
2018 Animal
2019 La Insubordinación de los privilegiados
2022 Don't Come Back Alive
2022 The Future of a Life in Common
2023 BIZAPOP
2023 Bill 79
2025 Biónica
Sound Recordist:
2003 No Escape
2005 Monobloc
2012 Days of Vinyl
2012 The Vampire Spider
2013 20,000 Kisses
2018 All Inclusive
2018 Animal
2019 La Insubordinación de los privilegiados
2022 Don't Come Back Alive
2022 The Future of a Life in Common
2023 BIZAPOP
2023 Bill 79
2023 Life in the Dark
2025 Biónica
Thanks:
2003 No Escape
2005 Monobloc
2012 Days of Vinyl
2012 The Vampire Spider
2013 20,000 Kisses
2018 All Inclusive
2018 Animal
2019 La Insubordinación de los privilegiados
2022 Don't Come Back Alive
2022 The Future of a Life in Common
2023 BIZAPOP
2023 Bill 79
2023 Life in the Dark
2024 Alemania
2025 Biónica
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.