A work in constant progress (and occasional regress).
Release Date:
September 4, 2003
Original Title:
El séptimo arcángel
Genres:
Drama | Mystery | Thriller
Production Companies:
Aleph Producciones S.A.
Argentina Sono Film
Production Countries:
Argentina
Ratings / Certifications:
N/A
Runtime: 92
The spiritual journey of a man with a debt that cannot be paid. In a Korean supermarket not too important, a small embezzlement is discovered. Luciano, a young man who works there, is pressured by the Koreans to return the money he stole in less than twenty-four hours.
Art Direction:
Lila Caramagna
Florencia Celatti
Marina Di Paola
Assistant Camera:
Lucas Borghi
Eduardo Flacco
Assistant Director:
Fabiana Castaño
María Fabiana Castaño
Associate Producer:
Horacio Grinberg
Camera Operator:
Andrés Mazzon
Cinematography:
Andrés Mazzon
Costume Design:
Nora Lia Alaluf
Griselda Vidal
Director:
Josefina Trotta
Juan Bautista Stagnaro
Nicolás Corbelli
Editor:
Luis César D'Angiolillo
Guillermo Grillo
Executive Producer:
Jorge Poleri
First Assistant Director:
Silvana Savastano
Generator Operator:
Aurelio Kerbs
Grip:
Luis Colaso
Lighting Supervisor:
Sergio Zenteno
Lighting Technician:
Juan Carlos Bernardo
Matías Cabrera
Daniel Ianatempo
Horacio Reyes
Fernando Rovella
Makeup Artist:
Beata Wójtowicz
Music:
Iván Wyszogrod
Producer:
Christian Blanco
Jerónimo Perín
Lisandro Podesta
Producer's Assistant:
Ana María Foligna
Leonardo Fracés
Mabel Rosciano
Production Manager:
Cecilia Diez
Second Assistant Director:
Inés Gómez María
Sound:
Pablo Bustamante
Florencia Di Baja
Mario Galian
Omar Jadur
Martín Porta
Sound Editor:
Hernán Ahmui
Special Effects:
Franco Burattini
Richard Forcada
Still Photographer:
Diego Poleri
Supervising Producer:
Laura Lo Bianco
Writer:
Juan Bautista Stagnaro
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.