A work in constant progress (and occasional regress).
Featuring:
Fernando Martín Peña
Written by:
Enrique Bellande
Directed by:
Enrique Bellande
Release Date:
April 26, 2023
Original Title:
La vida a oscuras
Genres:
Documentary
Production Companies:
Alambrado Cine
Alina Films
Cine Argentino
INCAA
Mecenazgo Cultural
Production Countries:
Argentina
Ratings / Certifications:
AR: ATP
Runtime: 73
It is an approach to the figure of Fernando Martín Peña, but it is also a film about cinema, about a transcendental movement in its history, its spaces and rituals.
This is an approach to the figure of Fernando Martín Peña, but it is also a film about cinema, about a transcendental movement in its history, its spaces and rituals.
Additional Camera:
Juan Renau
Additional Director of Photography:
Juan Renau
Additional Editor:
Alejandro Brodersohn
Laura García Lombardi
Assistant Camera:
Juan Chechile
Camera Operator:
Enrique Bellande
Santiago Melazzini
Color Grading:
Maximiliano Pérez
Colorist:
Alejo Maglio
Compositor:
Fernando Kabusacki
Director:
Enrique Bellande
Director of Photography:
Enrique Bellande
Santiago Melazzini
Editor:
Andrés Tambornino
Executive Producer:
Pablo Chernov
Foley:
Pablo Gamberg
Guillermo Picco
Graphic Designer:
Catalina Perez Andrade
Music:
Fernando Kabusacki
Producer:
Enrique Bellande
Pablo Chernov
Sound:
Pablo Gamberg
Sound Editor:
Pablo Gamberg
Guillermo Picco
Sound Recordist:
Pablo Gamberg
Enrique Bellande
Ulises Rosell
Pablo Bustamante
Thanks:
Beto Acevedo
Catalina Perez Andrade
Pablo Rovito
Roger Koza
Ana Katz
Pablo Gamberg
Ulises Rosell
Rodrigo Moreno
Andrés Tambornino
Manuel Antín
VFX Artist:
Constanza Ruiz
Mariel Falco
Visual Effects Coordinator:
Juan Barcellandi
Visual Effects Supervisor:
Leandro Pugliese
Writer:
Enrique Bellande
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.