A work in constant progress (and occasional regress).
Sound:
2014 Men Are from Mars... And That's Where I'm Going!
2016 Elis
2017 Internet - The Movie
2018 Nothing to Lose
2018 Paradise Lost
2019 Anna
2019 Monica and Friends: Bonds
2020 A Sogra Perfeita
2022 Serial Kelly
2024 Bionic
2024 Meu Sangue Ferve por Você
2024 The Park Maniac
Sound Mixer:
2013 Freedom Station
2014 Men Are from Mars... And That's Where I'm Going!
2015 Carrossel: O Filme
2016 Carrossel 2: O Sumiço de Maria Joaquina
2016 Elis
2017 Internet - The Movie
2017 Meus 15 Anos
2018 Nothing to Lose
2018 Paradise Lost
2019 Anna
2019 Monica and Friends: Bonds
2020 A Sogra Perfeita
2022 Serial Kelly
2024 Bionic
2024 Meu Sangue Ferve por Você
2024 The Park Maniac
Sound Recordist:
2013 Freedom Station
2014 Men Are from Mars... And That's Where I'm Going!
2015 Carrossel: O Filme
2016 Carrossel 2: O Sumiço de Maria Joaquina
2016 Elis
2017 Internet - The Movie
2017 Meus 15 Anos
2018 Nothing to Lose
2018 Paradise Lost
2019 Anna
2019 Monica and Friends: Bonds
2020 A Sogra Perfeita
2021 Monica and Friends: Lessons
2022 Serial Kelly
2024 Bionic
2024 Meu Sangue Ferve por Você
2024 The Park Maniac
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.