A work in constant progress (and occasional regress).
Release Date:
May 2, 2014
Original Title:
Os Homens São de Marte... E é pra Lá Que Eu Vou!
Alternate Titles:
Men Are From Mars... And That’s Where I’m Going!
Genres:
Comedy
Production Companies:
BR3 Produções Artisticas
Biônica Filmes
Capri Produções
Globo Filmes
Paramount Pictures Brasil
Telecine
Production Countries:
Brazil
Ratings / Certifications:
N/A
Runtime: 108
Successful at work, Fernanda is an example of women of the third millennium, free to make their choices and independent. Yet in her personal life she finds herself struggling to find a husband. Like other women of her generation, Fernanda put her personal life on hold to devote herself to her career and now suddenly feels her love life situation has become an emergency. Being single at 39 is quite different from being single at 29, after all "the fertile egg has an expiration date"!
Art Direction:
Vera Hamburger
Associate Producer:
Herson Capri
Homero Olivetto
Ilana Brakarz
Guel Arraes
Bruno Wainer
Mônica Martelli
Casting Producer:
Luciano Baldan
Co-Art Director:
Marinês Mencio
Co-Director:
Susana Garcia
Costumer:
Letícia Barbieri
Director:
Marcus Baldini
Director of Photography:
Pedro Farkas
Editor:
Marcelo Moraes
Executive Producer:
Bianca Villar
First Assistant "B" Camera:
Heitor Mizuki
Legal Services:
Caio Mariano
Makeup Artist:
André Anastácio
Original Music Composer:
Plínio Profeta
Producer:
Bianca Villar
Fernando Fraiha
Karen Castanho
Production Director:
Renata Rezende
Screenplay:
Mônica Martelli
Patricia Corso
Susana Garcia
Sound:
Jorge Rezende
Sound Editor:
Miriam Biderman
Ricardo Reis
Sound Mixer:
Paulo Gama
Pedro Noizyman
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.