A work in constant progress (and occasional regress).
Release Date:
November 1, 2013
Original Title:
Dallas Buyers Club
Alternate Titles:
Mo'adon ha'lakokhot shel Dallas
Poslovni klub Dalas
Sınırsızlar Kulübü
Genres:
Drama | History
Production Companies:
CE
Evolution Independent
Focus Features
Rainmaker Films
R² Films
Truth Entertainment
Voltage Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: MA15+ BR: 14 CA: 18A CH: 14 DE: 12 DK: 11 ES: 12 FI: K-16 FR: U GB: 15 GR: Κ-18 HK: III IE: 15 IT: T KR: 18 NL: 12 NO: 15|12 PT: M/16 RU: 18+ SE: 15 SK: 15 US: R
Runtime: 117
Loosely based on the true-life tale of Ron Woodroof, a drug-taking, women-loving, homophobic man who in 1986 was diagnosed with HIV/AIDS and given thirty days to live.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Editor:
Mireille Morin
Art Department Coordinator:
Jessica Lee
Art Direction:
Javiera Varas
Assistant Location Manager:
Les Arceneaux
Assistant Production Coordinator:
Ian D. Navran
Assistant Property Master:
Hunter Wert
Assistant Sound Editor:
Samuel Gagnon-Thibodeau
Boom Operator:
Leonard Suwalski
Camera Operator:
Luis Lopez DeVictoria
Casting:
Kerry Barden
Rich Delia
Paul Schnee
Co-Producer:
Michael Sledd
Parry Creedon
Construction Coordinator:
Scot Middleton
Construction Foreman:
David Dorretto
Costume Design:
Kurt Swanson
Bart Mueller
Costume Supervisor:
Linda Gardar
Dialogue Editor:
Claire Pochon
Director:
Jean-Marc Vallée
Director of Photography:
Yves Bélanger
Editor:
Martin Pensa
Jean-Marc Vallée
Executive Producer:
David L. Bushell
Nicolas Chartier
Cassian Elwes
Zev Foreman
Logan Levy
Joe Newcomb
Tony Notargiacomo
Holly Wiersma
Nathan Ross
Extras Casting:
Justin Coulter
First Assistant Accountant:
Kolie Wegner
First Assistant Camera:
Nicolas Marion
First Assistant Director:
Urs Hirschbiegel
First Assistant Sound Editor:
Paul Col
Foley Artist:
Simon Meilleur
Foley Editor:
Paul Col
Foley Recording Engineer:
Jo Caron
Gaffer:
Renaldo Jackson
Sidney Brisco
Graphic Designer:
Roger Johnson
Hair Department Head:
Adruitha Lee
Key Grip:
Richard Ball
Key Hair Stylist:
Kat Percy
Key Set Costumer:
Jennifer Kamrath
Leadman:
Gus Coto
Location Manager:
Leonard E. Reynolds III
Makeup Artist:
Melanie Deforrest
Makeup Department Head:
Robin Mathews
Post Production Accountant:
Diana Ascher
Post Production Supervisor:
Pierre Thériault
Producer:
Robbie Brenner
Rachel Winter
Production Accountant:
Brian Evans
Production Coordinator:
John R.C. Davis
Production Design:
John Paino
Production Sound Mixer:
Dick Hansen
Production Supervisor:
Parry Creedon
Property Master:
Andrew Wert
Script Supervisor:
Mona Medawar
Second Assistant Camera:
Jose Figueroa-Baez
Second Assistant Director:
Mark C. Stevens
Second Second Assistant Director:
Kevin Lum
Set Decoration:
Robert Covelman
Set Decoration Buyer:
Selina van den Brink
Sound Designer:
Martin Pinsonnault
Anton Fischlin
Sound Effects Editor:
Martin Pinsonnault
Anton Fischlin
Sound Supervisor:
Martin Pinsonnault
Special Effects Coordinator:
Katie Riggs
Still Photographer:
Anne Marie Fox
Stunt Coordinator:
Alex Terzieff
Transportation Captain:
Rick Davis
Transportation Coordinator:
A. Welch Lambeth
Unit Production Manager:
Michael Sledd
Unit Publicist:
Jeanmarie Murphy-Burke
VFX Supervisor:
Marc Cote
Writer:
Craig Borten
Melisa Wallack
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.