A work in constant progress (and occasional regress).
Release Date:
June 21, 1997
Original Title:
L'@mour est à réinventer
Alternate Titles:
L'@mour est à réinventer, dix histoires d'amours au temps du sida
Genres:
Drama
Production Companies:
Safe Machine Productions
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 70
Different aspects of homosexual romance are explored in this compendium of ten short vignettes encompassing a broad look at AIDS and range for the tale of a lesbian teen trying to come out to her parents, to a gay man who shocks his lover by claiming to be pregnant, to another man's reminiscence of a brief affair with an HIV-positive man.
Casting:
Jean-Claude Montheil
Costume Design:
Françoise Malgouris
Director:
Philippe Faucon
Pierre Salvadori
Françoise Decaux-Thomelet
François Dupeyron
Anne Fontaine
Merzak Allouache
Marion Vernoux
Nils Tavernier
Paul Vecchiali
Jean-Claude Guiguet
Director of Photography:
Jean-Marc Fabre
Philippe Bottiglione
Stéphane Martin
Gilles Henry
Stéphane Krausz
Guillaume Schiffman
Caroline Champetier
Pierre Millou
Editor:
Khadicha Bariha
Florence Lecomte
Marie Deroudille
Françoise Collin
Paul Vecchiali
Ariane Doublet
Hélène Viard
Pascale Chavance
Luce Grunenwaldt
Jennifer Augé
Key Makeup Artist:
Isabelle Nyssen
Makeup Artist:
Agnès Tassel
Original Music Composer:
Arno
Roland Vincent
Producer:
Philippe Martin
Emmanuelle de Reynal
Production Design:
Felicity Abbott
Set Designer:
Christian Delhôme
Sound:
Renaud Michel
Matthieu Imbert
Olivier Mauvezin
Jean-François Chevalier
Alexandre Lormeau
Jean-Claude Taki
Pierre Lorrain
Frédéric Pfohl
Sound Mixer:
Marc Mazéas
Writer:
Françoise Decaux-Thomelet
Anne Fontaine
Pierre Salvadori
Philippe Faucon
François Dupeyron
Didier Seynave
Sergueï Matytsine
Nils Tavernier
Catherine Locandro
Clarisse Battas
Olivier Rouvière
Pierre Guiho
Jean-Philippe Clarac
Franck Demules
Olivier-Daniel Deloeuil
Stéphane Galas
Paul Vecchiali
Jean-Claude Guiguet
David Ottenhouse
Romaine Moreton
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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