A work in constant progress (and occasional regress).
Release Date:
June 21, 1997
Original Title:
L'@mour est à réinventer
Alternate Titles:
L'@mour est à réinventer, dix histoires d'amours au temps du sida
Genres:
Drama
Production Companies:
Safe Machine Productions
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 70
Different aspects of homosexual romance are explored in this compendium of ten short vignettes encompassing a broad look at AIDS and range for the tale of a lesbian teen trying to come out to her parents, to a gay man who shocks his lover by claiming to be pregnant, to another man's reminiscence of a brief affair with an HIV-positive man.
Casting:
Jean-Claude Montheil
Costume Design:
Françoise Malgouris
Director:
François Dupeyron
Pierre Salvadori
Philippe Faucon
Anne Fontaine
Françoise Decaux-Thomelet
Marion Vernoux
Paul Vecchiali
Merzak Allouache
Nils Tavernier
Jean-Claude Guiguet
Director of Photography:
Philippe Bottiglione
Caroline Champetier
Jean-Marc Fabre
Gilles Henry
Stéphane Krausz
Stéphane Martin
Pierre Millou
Guillaume Schiffman
Editor:
Luce Grunenwaldt
Jennifer Augé
Khadicha Bariha
Pascale Chavance
Françoise Collin
Marie Deroudille
Ariane Doublet
Florence Lecomte
Paul Vecchiali
Hélène Viard
Key Makeup Artist:
Isabelle Nyssen
Makeup Artist:
Agnès Tassel
Original Music Composer:
Arno
Roland Vincent
Producer:
Emmanuelle de Reynal
Philippe Martin
Production Design:
Felicity Abbott
Set Designer:
Christian Delhôme
Sound:
Olivier Mauvezin
Jean-François Chevalier
Frédéric Pfohl
Matthieu Imbert
Alexandre Lormeau
Pierre Lorrain
Renaud Michel
Jean-Claude Taki
Sound Mixer:
Marc Mazéas
Writer:
François Dupeyron
Pierre Salvadori
Philippe Faucon
Anne Fontaine
Françoise Decaux-Thomelet
Stéphane Galas
Paul Vecchiali
Olivier-Daniel Deloeuil
Jean-Philippe Clarac
Nils Tavernier
Clarisse Battas
Jean-Claude Guiguet
Franck Demules
Catherine Locandro
Didier Seynave
Sergueï Matytsine
Olivier Rouvière
Pierre Guiho
David Ottenhouse
Romaine Moreton
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.