A work in constant progress (and occasional regress).
Release Date:
September 13, 2019
Original Title:
La Fille du cratère
Genres:
Documentary
Production Companies:
Les vues du fleuve
ONF | NFB
Production Countries:
Canada
Ratings / Certifications:
CA: G
Runtime: 75
A woman with a deep love of the land, Yolande Simard Perrault sees her life as having been shaped by a planetary upheaval in Charlevoix, Quebec, millions of years ago. As enduring as the Canadian Shield, she’s a woman of strength and spirit, a child of the crater left by the meteor’s impact. This documentary portrays a determined woman who’s the reflection of a land created on an immense scale. She was the creative and life partner of filmmaker Pierre Perrault, who gave up everything to be by her side. The film charts the influence of her unquenchable dreams and her contribution to the building of a people’s collective memory. In a stream of images and words, Simard Perrault recounts the splendours of the landscape and the people who shaped it. Generous and boundless, she embarks on a quest for identity that nurtures and perpetuates the oeuvre of the man who breathed new life into Quebec cinema.
Additional Sound Re-Recordist:
Danic Champoux
Administration:
Sia Koukoulas
Coordinating Producer:
Pascale Savoie-Brideau
Digital Imaging Technician:
Pierre Dupont
Patrick Trahan
Isabelle Painchaud
Director:
Nadine Beaudet
Danic Champoux
Director of Photography:
Christian Mathieu Fournier
Editor:
René Roberge
Executive Producer:
Colette Loumède
Nathalie Cloutier
Christian Mathieu Fournier
Foley:
Lise Wedlock
Foley Recordist:
Geoffrey Mitchell
Legal Services:
Dominique Aubry
Online Editor:
Serge Verreault
Producer:
Johanne Bergeron
Nadine Beaudet
Production Coordinator:
Chinda Phommarinh
Sound Designer:
Olivier Calvert
Sound Mixer:
Isabelle Lussier
Sound Recordist:
Nadine Beaudet
Olivier Calvert
Technical Supervisor:
Julie Pelletier
Vincent Deschênes
Mira Mailhot
Jean-François Laprise
Writer:
Nadine Beaudet
Danic Champoux
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.