A work in constant progress (and occasional regress).
Release Date:
October 17, 2024
Original Title:
A Return to Memory
Alternate Titles:
Un temps retrouvé
Genres:
Documentary
Production Companies:
ONF | NFB
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 118
When Canada entered World War II, the National Film Board suddenly had an urgent new mission—and hundreds of women stepped forward, helping to create Canadian cinema as we now know it.
Administration:
Leslie Anne Poyntz
Associate Producer:
Kelly Davis
Camera Operator:
Nesya Shapiro
Colorist:
Sylvie Marie Fortier
Digital Imaging Technician:
Marie-Josée Gourde
Albert Kurian
Pierre Dupont
Isabelle Painchaud
Patrick Trahan
Director:
Donald McWilliams
Editor:
Donald McWilliams
Executive Producer:
Annette Clarke
John Christou
Rohan Fernando
Nathalie Cloutier
Graphic Designer:
Mélanie Bouchard
Legal Services:
Dominique Aubry
Music:
Melissa Hui
Musician:
Jeffrey Stonehouse
Nicholas David Potvin
Isabelle Bozzini
Clemens Merkel
Alissa Cheung
Krystina Marcoux
Andrew King
Stéphanie Bozzini
Negative Cutter:
Eva Cvijanović
Fred Casia
Online Editor:
Serge Verreault
Producer:
Annette Clarke
Ariel Nasr
Katherine Baulu
Production Coordinator:
Yanis Ait Mohamed
Christine Williams
Cheryl Murgatroyd
Production Supervisor:
Roz Power
Publicist:
Osas Eweka-Smith
Script Consultant:
Michelle van Beusekom
Sound Designer:
Sacha Ratcliffe
Sound Re-Recording Mixer:
Jean-Paul Vialard
Sound Recordist:
Geoffrey Mitchell
Luc Léger
Bernard Belley
Ingrid Cusiel
Technical Supervisor:
Daniel Lord
Transcriptions:
Lori Heath
Writer:
Donald McWilliams
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.