A work in constant progress (and occasional regress).
Release Date:
December 16, 1969
Original Title:
Gaily, Gaily
Alternate Titles:
Chicago, Chicago
Heißes Pflaster Chicago
Genres:
Comedy
Production Companies:
The Mirisch Company
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 107
After runaway Ben Young is robbed and left on his own, he is taken in by Lil, the head of a Chicago brothel. Acting as a surrogate mother for Ben, who thinks she runs a boardinghouse, Lil gets him a job with Francis Sullivan at the local newspaper. As Ben is exposed to the workings of the big city, he realizes the extent of government corruption and sets out on the daunting task of reforming Chicago politics, finding several allies along the way.
Art Direction:
George B. Chan
Assistant Director:
Wendell Franklin
Assistant Editor:
James D. Young
Associate Producer:
Hal Ashby
Camera Operator:
Marvin L. Gunter
Wilbur Gossman
Casting:
Lynn Stalmaster
Construction Coordinator:
William Maldonado
Costume Design:
Ray Aghayan
Costumer:
Wesley Jeffries
Angela Alexander
Marjorie Plecher
Director:
Norman Jewison
Director of Photography:
Richard H. Kline
Editor:
Ralph E. Winters
Byron 'Buzz' Brandt
First Assistant Director:
Mike Moder
Gaffer:
Pat Blymyer
Hair Designer:
Mr. Kenneth
Hairstylist:
Naomi Cavin
Sugar Blymyer
Lynn Del Kail
Key Grip:
Gaylin P. Schultz
Location Manager:
Larry DeWaay
Makeup Artist:
Del Armstrong
Matte Painter:
Albert Whitlock
Music Editor:
Richard Carruth
Novel:
Ben Hecht
Original Music Composer:
Henry Mancini
Producer:
Norman Jewison
Production Design:
Robert F. Boyle
Production Illustrator:
Nikita Knatz
Joseph Hurley
Production Manager:
Patrick J. Palmer
Production Supervisor:
Allen K. Wood
Property Master:
Sam Gordon
Screenplay:
Abram S. Ginnes
Script Supervisor:
Bob Forrest
Second Assistant Director:
Philip L. Parslow
Set Decoration:
Edward G. Boyle
Sound:
Robert Martin
Sound Editor:
James Richard
Sound Recordist:
Clem Portman
Special Effects:
Sass Bedig
Unit Manager:
Joe L. Cramer
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
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