A work in constant progress (and occasional regress).
Alias:
Sam Haywood
Sound Designer:
2019 Hearts and Bones
2021 Long Story Short
2022 Bosch & Rockit
2022 Interceptor
2022 Victim
2025 Kangaroo
Sound Effects Editor:
2009 Acolytes
2019 Hearts and Bones
2021 Long Story Short
2022 Bosch & Rockit
2022 Interceptor
2022 Victim
2025 Kangaroo
Sound Mix Technician:
2009 Acolytes
2014 The Lego Movie
2019 Hearts and Bones
2021 Long Story Short
2022 Bosch & Rockit
2022 Interceptor
2022 Victim
2025 Kangaroo
Sound Re-Recording Mixer:
2009 Acolytes
2009 Franswa Sharl
2009 The Combination
2011 The Hunter
2012 Dead Europe
2012 The Wilding
2014 Son of a Gun
2014 The Lego Movie
2016 Goldstone
2019 Hearts and Bones
2020 2067
2020 Babyteeth
2021 Glen
2021 Long Story Short
2022 Bosch & Rockit
2022 Interceptor
2022 Loveland
2022 Victim
2023 ONEFOUR: Against All Odds
2025 Kangaroo
Sound Designer:
2023 Carol & the End of the World
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.