A work in constant progress (and occasional regress).
Release Date:
January 15, 2009
Original Title:
Franswa Sharl
Genres:
Comedy
Production Companies:
Room Four Films Production
Production Countries:
Australia
Ratings / Certifications:
N/A
Runtime: 14
Keeping the position of number one son requires a certain amount of ingenuity. Twelve year old Greg has inherited his father's competitive streak. On a family holiday to Fiji they have different ideas about where Greg should focus his talents. When his creative pursuits fail to amuse his father Greg goes to bizarre lengths to win him back.
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Boom Operator:
Pip Mason
Camera Operator:
Gareth Tillson
Chris Bland
Casting:
Kirsty McGregor
Colorist:
Trish Cahill
Luke Buckley
Compositor:
Takahiro Suzuki
Robert Stollar
Costume Design:
Charlotte Haywood
Costume Supervisor:
Jade Sims
Digital Intermediate:
Matthew M. North
Director:
Hannah Hilliard
Director of Photography:
Judd Overton
Dramaturgy:
Marin Mimica
Editor:
Ceinwen Berry
First Assistant Director:
Dimitri Ellerington
Focus Puller:
Brie Walsh
Gaffer:
Paul Booth
Hair Designer:
Dakota Matich
Key Grip:
Walt Terry
Makeup & Hair Assistant:
Lauren Sciberras
Makeup Designer:
Dakota Matich
Music:
Amanda Brown
Music Producer:
Amanda Brown
Music Supervisor:
Andrew Kotatko
Musician:
Bruce Reid
Clyde Bramley
Jim Elliot
Richard Boxhall
George Knight
Amanda Brown
Producer:
Linda Micsko
Production Coordinator:
Elisa Chaffer
Production Design:
Natalie Beak
Production Manager:
Eva Stolcs
Production Supervisor:
Gerald Lee
Script Supervisor:
Benedict Paxton-Crick
Second Assistant Director:
Sascha Marden
Set Decoration:
Anita Lun
Set Dresser:
Cyrus Kaye
Sound Designer:
Liam Egan
Sound Re-Recording Mixer:
Sam Hayward
Sound Recordist:
Rainier Davenport
Still Photographer:
Penni Glencross
Alina Gozin'a
Stunt Coordinator:
Dean Gould
Third Assistant Director:
Ben Gibson
Title Designer:
Christopher Doyle
Writer:
Hannah Hilliard
Greg Logan
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.