A work in constant progress (and occasional regress).
Release Date:
August 18, 2022
Original Title:
Bosch & Rockit
Alternate Titles:
Bosch and Rockit
Ocean Boy
Бегущие за волной
보쉬 & 로킷
Genres:
Drama
Production Companies:
Black Pearl Productions
Sunshine Bear Films
Production Countries:
Australia
Ratings / Certifications:
AU: MA15+ RU: 16+
Runtime: 107
As Rockit grapples to understand why his Mum’s not coming home, he embarks on a magical holiday with his father, Bosch, only to discover they’re actually running from the law. Rockit finds a soulmate and then teenage love with Ash Ash, but it’s the ocean that gives him the security and calm he yearns from his parents. Ultimately Rockit is a boy nurtured and held by nature.
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Art Department Coordinator:
Tessa Simpson
Assistant Editor:
Timothy Hadwen
Cinematography:
Ben Nott
Costume Designer:
Emily Seresin
Director:
Tyler Atkins
Editor:
Scott Gray
First Assistant Director:
Julian Ryan
Hair Supervisor:
Cora Montalban
Makeup Supervisor:
Cora Montalban
Music:
Brian Cachia
Ry X
Post Producer:
Basia A'Hern
Post Production Coordinator:
Felicity Collette
Post Production Supervisor:
Catherine Armstrong
Producer:
Cathy Flannery
Tyler Atkins
John Schwarz
Production Coordinator:
Lauren Keely
Production Design:
David McKay
Script Supervisor:
John Duong
Second Assistant Director:
Kristan Dowsing
Sound Designer:
Sam Hayward
Sound Effects Editor:
Cameron Grant
Sound Re-Recording Mixer:
Sam Hayward
Sound Recordist:
Scott Mulready
Stunt Driver:
Dean Gould
Supervising Sound Editor:
Angus Robertson
Thanks:
Shane Abbess
Underwater Director of Photography:
Shane Fletcher
Visual Effects Producer:
Gabrielle Joosten
Writer:
Drue Metz
Tyler Atkins
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.