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Code 8 Part II (2024) [R]

Release Date:
February 27, 2024

Original Title:
Code 8 Part II

Alternate Titles:
Code 8 - Teil 2
Kod 8, Drugi dio
Kód 8: Časť 2
کد ۸ قسمت ۲
八号警报2

Genres:
Action | Crime | Science Fiction

Production Companies:
Collective Pictures
XYZ Films

Production Countries:
Canada | United States of America

Ratings / Certifications:
BR: 14  DE: 16  ES: 16  FR: 16  GB: 15  IE: 15  KR: 15  MX: B-15  PR: R  SG: NC16  TR: 16+  US: R  VI: R 

Runtime: 101

Power corrupts.

Overview from TheMovieDB

In a world where superpowered people are heavily policed by robots, an ex-con teams up with a drug lord he despises to protect a teen from a corrupt cop.

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Additional information:

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Video

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Trailer

Teaser

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

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Production

"A" Camera Operator:
Michael Heathcote

ADR Recordist:
Paul Lynch

Additional Editing:
Nick Montgomery

Animation:
Samkutty George
Reza Hadiani

Art Direction:
Andrea Kristof

Assistant Location Manager:
Liam Kiernan

Assistant Makeup Artist:
Alexis Tataryn

Associate Producer:
Michael Davison

Boom Operator:
Alan Zielonko

CG Supervisor:
Justin Perreault

Casting:
Stephanie Gorin
Brendan Wilcocks

Co-Executive Producer:
Joanna Coathup
Brendan McNeill

Co-Producer:
Michael Heathcote
Amanda Pileggi
Tom Selenow

Colorist:
Kevin Camilleri

Compositor:
Marlon Victor Bondoc
Thomas Therrien
Russell Challenger
Lukasz Stolarski

Costume Design:
Marcia Scott

Dailies Manager:
Oren Edenson

Dailies Operator:
Kali Raigh

Dialogue Editor:
Dustin Harris
Claire Dobson
Krystin Hunter

Director:
Jeff Chan

Director of Photography:
Marie Davignon

Driver:
Arlene Halpenny-Heeley

Editor:
Matt Lyon

Electrician:
Ivan Maleikov

Executive Producer:
Brian Huynh
Mark Smith
Aaron Barnett

Extras Casting:
Richard Brown

First Assistant Director:
Avrel Fisher

First Assistant Editor:
Nick Montgomery

Foley:
Kyle Testa

Hair Assistant:
Lukas Press

Hair Department Head:
Erica Croft

Head of Production:
Sophia Jooyeon Lee

Key Hair Stylist:
Antoinette Julien

Line Producer:
Shauna Jamison

Location Production Assistant:
Dan Delaplante

Location Scout:
Andrew Gainor
Dan Feddern

Makeup Artist:
Mark Wotton

Makeup Department Head:
Liz Rowe

Music Editor:
Kevin Banks

Music Supervisor:
Marco DiFelice

On Set Computer Graphics:
Sophia Jooyeon Lee

On Set Key Props:
Nicole Schiafone

Online Editor:
Jessica Goebell

Original Music Composer:
Ryan Taubert

Post Production Supervisor:
David Huband

Producer:
Stephen Amell
Jeff Chan
Steven Hoban
Chris Paré
Matthew Kariatsumari
Robbie Amell

Producer's Assistant:
Julia Galle

Production Design:
Kai Boydell

Production Manager:
Shauna Jamison

Prosthetics:
Mark Wotton

Second Assistant Director:
Kevin Hennelly
Bob Glover

Set Decoration:
Patricia Cuccia

Sound Designer:
Joseph Fraioli

Sound Effects Editor:
Dashen Naidoo

Sound Mixer:
Trevor Goulet

Sound Re-Recording Assistant:
Oscar Fenton

Sound Re-Recording Mixer:
Matthew Chan

Sound Supervisor:
Tyler Whitham

Special Effects Assistant:
John Sandever

Special Effects Coordinator:
Michael Innanen

Special Effects Supervisor:
Conor Craig
Michael Innanen

Special Effects Technician:
Robert Buehler

Steadicam Operator:
Michael Heathcote

Third Assistant Director:
David MacDonald
Brittani Hagelstein

Utility Sound:
Jason McFarling

Visual Effects:
Julien Chiari
Denise Maitan
Brett McLaughlin
Aryan Sehgal
Andrew Degryse
Chris Rogoski

Visual Effects Coordinator:
Michael Davison
Melissa Costa

Visual Effects Editor:
Evan Churchill

Visual Effects Producer:
Brian Huynh

Visual Effects Supervisor:
Brian Huynh

Writer:
Jesse LaVercombe
Chris Paré
Jeff Chan
Sherren Lee

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.