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Dasha Nekrasova (b. 1991)

Alias:
داشا نکراسوا

Birthplace:
Minsk, Byelorussian SSR, USSR [now Belarus]

Born:
February 19, 1991

Biography from TheMovieDB

Daria Dmitrievna "Dasha" Nekrasova (born February 19, 1991) is an American actress, filmmaker, and co-host of the Red Scare podcast with Anna Khachiyan. She is based in Dimes Square, New York City.  In 2018, she became known as "Sailor Socialism" after her interview with an InfoWars reporter, in which she was dressed in a sailor fuku, went viral. In 2021, she made her directorial debut with the horror film The Scary of Sixty-First, for which she won the Best First Feature Award at the Berlin International Film Festival. She also appeared in a recurring role on the TV series Succession, for which the cast won a Screen Actors Guild award.  Description above from the Wikipedia article Dasha Nekrasova, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Additional information:

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Film Performances

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Film Production

Additional Photography:
2025  The Code

Director:
2017  The Darby Bonarsky Story
2021  The Scary of Sixty-First
2025  The Code

Story:
2017  The Darby Bonarsky Story
2018  Wobble Palace
2021  The Scary of Sixty-First
2025  The Code

Thanks:
2017  The Darby Bonarsky Story
2018  Cam
2018  Wobble Palace
2020  Spree
2021  The Scary of Sixty-First
2024  Trolls
2025  The Code

Writer:
2017  The Darby Bonarsky Story
2018  Cam
2018  Wobble Palace
2020  Spectacular Reality
2020  Spree
2021  The Scary of Sixty-First
2024  Trolls
2025  The Code

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TV Performances

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.