A work in constant progress (and occasional regress).
Release Date:
February 7, 2024
Original Title:
La Bête
Alternate Titles:
A Besta
Amor Sin Tiempo
Bestia
La Beast
La Bestia
The Beast (La bestia)
Yaratık
Zvijer
Звярът
Звір
Предчувствие
野兽
Genres:
Drama | Romance | Science Fiction
Production Companies:
AMI
ARTE France Cinéma
Jamal Zeinal Zade
Les films du Bélier
My New Picture
Sons of Manual
Production Countries:
Canada | France
Ratings / Certifications:
AR: +13 AU: M CH: 14 CL: 14 DE: 12 HK: III IT: 6+ KR: 15 NL: 16 NZ: M RU: 18+ TW: 15+ US: NR
Runtime: 146
In the near future where emotions have become a threat, Gabrielle finally decides to purify her DNA in a machine that will immerse her in her past lives and rid her of any strong feelings. She then meets Louis and feels a powerful connection, as if she had known him forever.
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Additional First Assistant Camera:
Benjamin Colleye
Assistant Editor:
Charlotte Soyez
Assistant Makeup Artist:
Daphné Hesnard
Boom Operator:
Baptiste Kleitz
Robinson Van Caeneghem
CG Supervisor:
Eric Clement
Casting:
Carmen Cuba
Sarah Teper
Co-Producer:
Nancy Grant
Xavier Dolan
Alexandre Mattiussi
Colorist:
Jérôme Cloutier
Compositing Supervisor:
Niranjan Sivagurunathan
Raphael Valle
Costume Assistant:
Mathilde Baillarger
Clarissa Saraiva
Costume Design:
Pauline Jacquard
Dialogue Editor:
Agnès Ravez
Digital Compositor:
Tania Jaime Gonzalez
Arthur de Morel
Philippe Nalet
Director:
Bertrand Bonello
Director of Photography:
Josée Deshaies
Editor:
Anita Roth
Electrician:
Victor Andrysiak
Executive Producer:
Olivier Gauriat
Finance:
Jean Grundeler
First Assistant Camera:
Anthony Huneault
First Assistant Director:
Barbara Canale
Gaffer:
Marianne Lamour
Grip:
Maxime Boisbeaux
Hair Department Head:
Miguel Santos
In Memory Of:
Gaspard Ulliel
Key Grip:
Gaston Grandin
Key Hair Stylist:
Romaric Colombini
Line Producer:
Tatiana Bouchain
Ron Eli Cohen
Location Assistant:
Bastien Chemtov
Location Scout:
Fabien Pondevaux
Caroline Ruelle
Manuel Tritschler
Makeup Artist:
Hue Lan Van Duc
Makeup Designer:
Maïna Militza
Music Consultant:
Steve Bouyer
Music Supervisor:
Joss Dumas
Original Music Composer:
Anna Bonello
Bertrand Bonello
Post Production Assistant:
Marina Crassaris
Producer:
Justin Taurand
Bertrand Bonello
Production Coordinator:
Laura Guyon
Production Design:
Katia Wyszkop
Production Manager:
Tatiana Bouchain
Marie-Claire Lalonde
Property Master:
Édouard Blaise
Researcher:
Barbara Schölnberger
Script Supervisor:
Élodie Van Beuren
Second Assistant Camera:
Soupharak Keoborakoth
Second Assistant Director:
Jade Gauriat
Set Dresser:
Florence Aillerie
Short Story:
Henry James
Sound Editor:
Clément Laforce
Sound Engineer:
Nicolas Cantin
Sound Re-Recording Mixer:
Jean-Pierre Laforce
Steadicam Operator:
Loïc Andrieu
Still Photographer:
Carole Béthuel
Third Assistant Director:
Thomas Dahirel
Underwater Camera:
Marion Botte
VFX Artist:
Simon Beaupré
Hugo Cote
Thomas Desjardins
Wesley Lemieux
Raphaël Moreault-Truchon
Emilie Pelletier
Visual Effects Coordinator:
Marie-Océane Courtois
Visual Effects Editor:
Pierrot Berube
Jean-François Crevier
Melina Savard
Visual Effects Producer:
Marc A. Rousseau
Visual Effects Supervisor:
Emilien Lazaron
Wardrobe Assistant:
Eléa Talandier
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.