A work in constant progress (and occasional regress).
Featuring:
Lauren Avery, Chase Baker, Anika Contos
Written by:
Jonathan Eisenman
Amanda Milius
Directed by:
Amanda Milius
Release Date:
August 15, 2015
Original Title:
The Lotus Gun
Genres:
Drama | Western
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 25
The year is 2077. Society has collapsed. There are no cities, no guns. Just wanderers trying to survive. Nora and Daphine live an idyllic life alone and in love, far away from the drug-fueled, misogynistic communes that have trapped so many others. But when a male stranger arrives, their utopian existence takes a dark turn. Directed by Amanda Milius.
In this post-apocalyptic Western, two things are rare in the year 2077: guns and women. Nora and her friend/lover Daphine must struggle to survive. In a post-government world without laws or weapons. Nora and her best friend/lover Daphine have an idyllic life in a sparse, rugged landscape. When a stranger arrives on their land, Daph's curiosity takes her away to a violent, misogynistic, psychedelic drug cult. Nora doesn't just want Daph back--she also wants revenge.
Armorer:
Mike Tristano
Art Direction:
Katie Pyne
Assistant Camera:
Halyna Hutchins
Associate Producer:
Celia Milius
Digital Imaging Technician:
Fangso Liu
Director:
Amanda Milius
Director of Photography:
Sean Bagley
Editor:
Sean Jarrett
Luke Pennington
Gaffer:
Benji Dell
Grip:
Ian McClellan
Gun Wrangler:
Clay Van Sickle
Key Costumer:
Cody Hoeppner
Key Makeup Artist:
Katrina Sawhney
Producer:
Faisal Attrache
Production Design:
Marcello Dolce
Production Manager:
Andrew Elliott
Pyrotechnician:
Roger Lifsey
Script Supervisor:
Roe Moore
Steadicam Operator:
Matthew Pearce
Stunt Coordinator:
Tony Snegoff
Thanks:
Celia Milius
John Milius
Visual Effects:
Cameron Carson
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.