A work in constant progress (and occasional regress).
Born:
January 1, 1988
Adam Khalil, a member of the Ojibway tribe, is a filmmaker and artist from Sault Ste. Marie, Michigan, whose practice attempts to subvert traditional forms of ethnography through humor, relation, and transgression. Khalil is a core contributor to New Red Order and a co-founder of COUSINS Collective.
Cinematography:
2015 The Given
Director:
2015 The Given
2016 INAATE/SE/
2018 Culture Capture 001
2018 Empty Metal
2018 The Violence of a Civilization without Secrets
2019 Culture Capture: Terminal Adddition
2020 A I O U
2020 Culture Capture: Crimes Against Reality
2020 Halpate
2020 Never Settle: Calling In
2020 Never Settle: The New Red Order
2021 Endless Acknowledgment
2021 Nosferasta: First Bite
2021 What is Savage Philosophy
2022 AlienNATION [star spangled]
Director of Photography:
2015 The Given
2016 INAATE/SE/
2018 Culture Capture 001
2018 Empty Metal
2018 The Violence of a Civilization without Secrets
2019 Culture Capture: Terminal Adddition
2020 A I O U
2020 Culture Capture: Crimes Against Reality
2020 Halpate
2020 Never Settle: Calling In
2020 Never Settle: The New Red Order
2021 Endless Acknowledgment
2021 Nosferasta: First Bite
2021 What is Savage Philosophy
2022 AlienNATION [star spangled]
2022 Burial
Editor:
2015 The Communist Revolution Was Caused By The Sun
2015 The Given
2016 INAATE/SE/
2017 Immortality and Resurrection For All!
2018 Culture Capture 001
2018 Empty Metal
2018 The Violence of a Civilization without Secrets
2019 Culture Capture: Terminal Adddition
2020 A I O U
2020 Culture Capture: Crimes Against Reality
2020 Halpate
2020 Never Settle: Calling In
2020 Never Settle: The New Red Order
2021 Endless Acknowledgment
2021 Nosferasta: First Bite
2021 What is Savage Philosophy
2022 AlienNATION [star spangled]
2022 Burial
Sound Mixer:
2015 The Communist Revolution Was Caused By The Sun
2015 The Given
2016 INAATE/SE/
2017 Immortality and Resurrection For All!
2018 Culture Capture 001
2018 Empty Metal
2018 The Violence of a Civilization without Secrets
2019 Culture Capture: Terminal Adddition
2020 A I O U
2020 Culture Capture: Crimes Against Reality
2020 Halpate
2020 Never Settle: Calling In
2020 Never Settle: The New Red Order
2021 Endless Acknowledgment
2021 Nosferasta: First Bite
2021 What is Savage Philosophy
2022 AlienNATION [star spangled]
2022 Burial
Writer:
2015 The Communist Revolution Was Caused By The Sun
2015 The Given
2016 INAATE/SE/
2017 Immortality and Resurrection For All!
2018 Culture Capture 001
2018 Empty Metal
2018 The Violence of a Civilization without Secrets
2019 Culture Capture: Terminal Adddition
2020 A I O U
2020 Culture Capture: Crimes Against Reality
2020 Halpate
2020 Never Settle: Calling In
2020 Never Settle: The New Red Order
2021 Endless Acknowledgment
2021 Nosferasta: First Bite
2021 What is Savage Philosophy
2022 AlienNATION [star spangled]
2022 Burial
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.