A work in constant progress (and occasional regress).
Release Date:
July 28, 2015
Original Title:
The Communist Revolution Was Caused By The Sun
Genres:
Documentary
Production Companies:
Haus der Kulturen der Welt
Production Countries:
Kazakhstan | United States of America
Ratings / Certifications:
N/A
Runtime: 34
The second installment of Anton Vidokle’s trilogy on Russian cosmism, The Communist Revolution Was Caused By The Sun, looks at the poetic dimension of the solar cosmology of Soviet biophysicist Alexander Chizhevsky. Shot in Kazakhstan, where Chizhevsky was imprisoned and later exiled, the film introduces Сhizhevsky’s research into the impact of solar emissions on human sociology, psychology, politics, and economics in the form of wars, revolutions, epidemics, and other upheavals. It aligns the life of post-Soviet rural residents and the futurological projects of Russian cosmism to emphasize that the goal of the early Soviet breakthroughs aimed at the conquest of outer space was not so much technical acceleration, but the common cause of humankind in their struggle against the limitations of earthly life.
ADR Recordist:
Ilja Köster
Animation:
Alan Woo
Color Grading:
Patrik Metzger
Director:
Anton Vidokle
Director of Photography:
Ayman Nahle
Driver:
Dmitry Pershin
Drone Operator:
Vitaliy Dvoretskiy
Editor:
Meggie Schneider
Adam Khalil
Lighting Director:
Valeriy Lashkevich
Location Assistant:
Iman Musa Kulmohhametov
Music:
John Cale
Music Editor:
Carsten Nicolai
Producer:
Sergei Gooleikov
Anton Vidokle
Sound Mixer:
Jochen Jezussek
Sound Recordist:
Yuri Khramovskiy
Story:
Nikolai Fedorov
Thanks:
Hito Steyerl
Anselm Franke
Rivers Plasketes
Aleksandr Sheyn Jr.
Anastasia Gacheva
Maria Lind
Arseny Zhiliaev
Lily Lewis
Boris Groys
Writer:
Anton Vidokle
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.