A work in constant progress (and occasional regress).
Release Date:
October 1, 2020
Original Title:
Culture Capture: Crimes Against Reality
Genres:
Animation
Ratings / Certifications:
N/A
Runtime: 9
Culture Capture: Crimes Against Reality morphs monuments into metastasizing flesh via ritualized photogrammetric capture and virtual manipulation, clearing space for Indigenous futures. The piece literalizes the violence of settler-colonial propaganda and features high-profile monuments such as the equestrian Theodore Roosevelt statue which stood in front of AMNH in New York City and End of the Trail, both created by American sculptor James Earle Frasier. The video mines the archive of Frasier, going beyond simple iconoclasm to probe deeper, investigating desires for indigeneity that motivated the artist, desires that continue to pervade the myths, dreams, and political foundations of the so-called americas.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.