A work in constant progress (and occasional regress).
Bret Killoran is a Canadian supervising sound editor and re-recording mixer for film and television productions.
Boom Operator:
2018 Nobody Famous
Recording Supervision:
2018 Nobody Famous
2021 A Monster Origin Story
Sound:
2018 Nobody Famous
2021 A Monster Origin Story
2022 This Place
2023 Eternal Spring
Sound Designer:
2018 Nobody Famous
2021 A Monster Origin Story
2021 Bad at This
2022 Monkey-Love, Please Hold
2022 This Place
2023 Eternal Spring
2025 Descendent
Sound Editor:
2018 Nobody Famous
2021 A Monster Origin Story
2021 Bad at This
2022 Monkey-Love, Please Hold
2022 This Place
2023 Eternal Spring
2024 Astrov at the Lemonade Stand
2025 A Cup of Coffee
2025 Descendent
Sound Effects Editor:
2018 Nobody Famous
2019 Dreams
2021 A Monster Origin Story
2021 Bad at This
2022 Collide
2022 Monkey-Love, Please Hold
2022 This Place
2023 Eternal Spring
2024 Astrov at the Lemonade Stand
2025 A Cup of Coffee
2025 Descendent
Sound Mixer:
2018 Nobody Famous
2019 Dreams
2021 A Monster Origin Story
2021 Bad at This
2021 Resident Evil: Welcome to Raccoon City
2022 Collide
2022 Monkey-Love, Please Hold
2022 This Place
2023 Eternal Spring
2024 Astrov at the Lemonade Stand
2025 A Cup of Coffee
2025 Descendent
Sound Post Production Coordinator:
2018 Nobody Famous
2019 Dreams
2021 A Monster Origin Story
2021 Bad at This
2021 Resident Evil: Welcome to Raccoon City
2022 Collide
2022 Monkey-Love, Please Hold
2022 This Place
2023 Eternal Spring
2023 Verona
2024 Astrov at the Lemonade Stand
2025 A Cup of Coffee
2025 Descendent
Sound Re-Recording Mixer:
2016 The Apostle Peter: Redemption
2017 Never Better: A Closure Comedy
2018 Battle Cry
2018 Nobody Famous
2019 Dreams
2019 Erasing His Dark Past
2019 Sweetness in the Belly
2020 The Broken Hearts Gallery
2021 A Monster Origin Story
2021 Bad at This
2021 Bump
2021 Resident Evil: Welcome to Raccoon City
2022 Collide
2022 Monkey-Love, Please Hold
2022 This Place
2023 BlackBerry
2023 Eternal Spring
2023 In Flames
2023 My Animal
2023 The Sweet East
2023 Verona
2024 Astrov at the Lemonade Stand
2024 Backspot
2024 Sleigh Ride
2025 A Cup of Coffee
2025 Descendent
???? Little
Sound Recordist:
2016 The Apostle Peter: Redemption
2017 Never Better: A Closure Comedy
2018 Battle Cry
2018 Nobody Famous
2019 Dreams
2019 Erasing His Dark Past
2019 Sweetness in the Belly
2020 The Broken Hearts Gallery
2021 A Monster Origin Story
2021 Bad at This
2021 Bump
2021 Resident Evil: Welcome to Raccoon City
2022 Collide
2022 Monkey-Love, Please Hold
2022 This Place
2023 BlackBerry
2023 Eternal Spring
2023 In Flames
2023 My Animal
2023 The Sweet East
2023 Verona
2024 Astrov at the Lemonade Stand
2024 Backspot
2024 Sleigh Ride
2025 A Cup of Coffee
2025 Descendent
???? Little
Supervising Sound Editor:
2016 The Apostle Peter: Redemption
2017 Never Better: A Closure Comedy
2018 Battle Cry
2018 Nobody Famous
2019 Dreams
2019 Erasing His Dark Past
2019 Sweetness in the Belly
2020 Friends Who Kill
2020 The Broken Hearts Gallery
2021 A Monster Origin Story
2021 Bad at This
2021 Bump
2021 Resident Evil: Welcome to Raccoon City
2022 Collide
2022 Monkey-Love, Please Hold
2022 This Place
2023 BlackBerry
2023 Eternal Spring
2023 In Flames
2023 My Animal
2023 The Sweet East
2023 Verona
2024 Astrov at the Lemonade Stand
2024 Backspot
2024 Sleigh Ride
2025 A Cup of Coffee
2025 Descendent
???? Little
Sound Re-Recording Mixer:
2023 The Consultant
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.