A work in constant progress (and occasional regress).
Release Date:
January 23, 2020
Original Title:
A Daughter's Ordeal
Genres:
Thriller
Production Companies:
Dawn's Light
High Star Entertainment
MarVista Entertainment
Production Countries:
United States of America
Ratings / Certifications:
DE: 12
Runtime: 86
Hope has always been close to her daughter Lacy. But since her divorce from her husband, Hope has been worried about Lacy, who is struggling to cope. So Hope is excited when Lacy brings home a new friend, Cassie, whose parents recently divorced as well. Lacy and Cassie quickly become the best of friends. But when Cassie begins to drive a wedge between Lacy and her mother, Hope beings to wonder if Cassie is the godsend she first imagined.
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Assistant Makeup Artist:
Hanna Garcia
Boom Operator:
Kalvin Mallari
Casting:
Ashley Hallihan
Co-Executive Producer:
Sarah E. Gutierrez
Colorist:
Mila Patriki
Costume Design:
Janneke Tenbroek
Director:
Richard Switzer
Director of Photography:
Pasha Patriki
Editor:
Navin Ramaswaran
Executive Producer:
Jason Cherubini
Marianne C. Wunch
Fernando Szew
Alexander Ferguson
First Assistant Camera:
Hazel Lee
First Assistant Director:
Austin Birtch
Gaffer:
Joel D'Alimonte
Key Grip:
Ryan Richey
Key Makeup Artist:
Samantha Ryan
Original Music Composer:
David Bateman
Post Production Coordinator:
Vicky Blue
Producer:
Bruno Marino
Richard Switzer
Production Coordinator:
Marissa Wong
Production Design:
Hayley Pace
Production Manager:
Chris Luckhardt
Script Supervisor:
Cristina M. Mitchell
Second Assistant Director:
Camille Lortie
Set Medic:
Ben Bowers
Sound Mixer:
Jeffery Magat
Still Photographer:
Jeffrey Chan
Stunt Coordinator:
James Mark
Supervising Sound Editor:
Bret Killoran
Writer:
John Burd
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.