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Andrew Shulkind

Biography from TheMovieDB

Andrew Shulkind is a cinematographer best known for his work in commercials, movies, and cutting edge immersive entertainment. He was the youngest member of the International Cinematographers Guild (ICG) where his expert and practical integration of emerging technologies (stereoscopic capture, LED and plasma lighting, camera stabilization techniques, and intelligent use of visual effects) have earned him the reputation as the cinematographer-technologist of the future. Known as much for his relationships as his technical achievements and creative expressionism, Andrew helps to bridge between products, engineering and creative storytelling at the highest level, from traditional theatrical and broadcast to groundbreaking experiential and interactive experiences. He is one of the few keynote speakers known for his vision and predictive insight as well as his role in actually forging the future of quality entertainment. Andrew was fortunate to begin his career working for some of the best names in business (Steven Spielberg, Michael Mann, Jerry Bruckheimer, Jon Favreau, Darius Khondji, Janusz Kaminski, Emmanuel Lubezki, Don Burgess, etc.). He was awarded with the Emerging Cinematographer Award from the International Cinematographers Guild in 2014, the Studio Daily Prime Award for the Innovator of the Year in 2014 and 2016, as well as Variety Magazine’s 10 Cinematographers to Watch in 2018.

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Film Production

Assistant Camera:
2002  Panic Room
2003  Radio
2003  Terminator 3: Rise of the Machines

Camera Intern:
2000  Coyote Ugly
2002  Panic Room
2002  The Salton Sea
2003  Radio
2003  Terminator 3: Rise of the Machines

Camera Operator:
2000  Coyote Ugly
2002  Panic Room
2002  The Salton Sea
2003  Radio
2003  Terminator 3: Rise of the Machines
2005  Man of the House
2005  Serenity
2006  The Brandon Corey Story

Director of Photography:
2000  Coyote Ugly
2002  Panic Room
2002  The Salton Sea
2003  Radio
2003  Terminator 3: Rise of the Machines
2005  Man of the House
2005  Serenity
2005  Shapeshifter
2006  The Brandon Corey Story
2007  Let Them Chirp Awhile
2007  The Son of Sam's Daughter
2010  Don't Fade Away
2015  Southbound
2016  Gone
2017  The Ritual
2017  The Vault
2024  V-U2:UV
2025  The Wizard of Oz at Sphere

Libra Head Technician:
2000  Coyote Ugly
2002  Panic Room
2002  The Salton Sea
2003  Radio
2003  Terminator 3: Rise of the Machines
2004  Back When We Were Grownups
2004  The Goodbye Girl
2005  Man of the House
2005  Serenity
2005  Shapeshifter
2005  The Amityville Horror
2005  The Skeleton Key
2005  Zathura: A Space Adventure
2006  The Brandon Corey Story
2007  Let Them Chirp Awhile
2007  The Son of Sam's Daughter
2010  Don't Fade Away
2015  Southbound
2016  Gone
2017  The Ritual
2017  The Vault
2024  V-U2:UV
2025  The Wizard of Oz at Sphere

Thanks:
2000  Coyote Ugly
2002  Panic Room
2002  The Salton Sea
2003  Radio
2003  Terminator 3: Rise of the Machines
2004  Back When We Were Grownups
2004  The Goodbye Girl
2005  Man of the House
2005  Serenity
2005  Shapeshifter
2005  The Amityville Horror
2005  The Skeleton Key
2005  Zathura: A Space Adventure
2006  The Brandon Corey Story
2007  Let Them Chirp Awhile
2007  The Son of Sam's Daughter
2010  Don't Fade Away
2012  21 Jump Street
2015  Southbound
2016  Gone
2017  The Ritual
2017  The Vault
2024  V-U2:UV
2025  The Wizard of Oz at Sphere

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TV Production

Director of Photography:
2013  Side Effects

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.