A work in constant progress (and occasional regress).
Compositing Lead:
2021 Naked Singularity
Compositing Supervisor:
2019 Jacob's Ladder
2021 Naked Singularity
2021 The Eyes of Tammy Faye
Compositor:
2019 Jacob's Ladder
2021 Fear Street: 1994
2021 Naked Singularity
2021 The Eyes of Tammy Faye
Digital Compositor:
2015 Insurgent
2019 Dreamland
2019 Jacob's Ladder
2021 Fear Street: 1994
2021 Naked Singularity
2021 The Eyes of Tammy Faye
2022 Halloween Ends
Digital Compositors:
2015 Insurgent
2016 La La Land
2019 Dreamland
2019 Jacob's Ladder
2021 Fear Street: 1994
2021 Naked Singularity
2021 The Eyes of Tammy Faye
2022 Halloween Ends
Visual Effects:
2015 Insurgent
2016 La La Land
2019 Dreamland
2019 Jacob's Ladder
2020 Sister of the Groom
2021 Fear Street: 1994
2021 Naked Singularity
2021 The Eyes of Tammy Faye
2022 Halloween Ends
Visual Effects Supervisor:
2015 Insurgent
2016 La La Land
2019 Dreamland
2019 Fractured
2019 Jacob's Ladder
2019 Little Women
2020 Sister of the Groom
2021 Fear Street: 1994
2021 Naked Singularity
2021 Nobody
2021 The Eyes of Tammy Faye
2022 Better Nate Than Ever
2022 Halloween Ends
2024 Bad Boys: Ride or Die
VFX Supervisor:
2020 I Am Not Okay with This
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.