A work in constant progress (and occasional regress).
Release Date:
March 15, 2022
Original Title:
Better Nate Than Ever
Alternate Titles:
El Sueño De Nate
Nate: Mejor Tarde que Nunca
內特的夢想劇院
Genres:
Comedy | Family | Music
Production Companies:
Marc Platt Productions
Walt Disney Pictures
Production Countries:
United States of America
Ratings / Certifications:
BR: 10 CZ: U ES: 12 KR: 12 NL: AL PL: 12 PR: PG SG: PG13 US: PG
Runtime: 92
13-year-old Nate Foster has big Broadway dreams but there’s only one problem — he can’t even land a part in the school play. When his parents leave town, Nate and his best friend Libby sneak off to the Big Apple for a once-in-a-lifetime opportunity to prove everyone wrong. A chance encounter with Nate’s long-lost Aunt Heidi turns his journey upside-down, and together they must learn that life’s greatest adventures are only as big as your dreams.
Art Direction:
Peter Baran
Choreographer:
Zachary Woodlee
Director:
Tim Federle
Director of Photography:
Declan Quinn
Editor:
Katie McQuerrey
Electrician:
Tarik Morgan
First Assistant Director:
Danielle Rigby
Hair Department Head:
Nathan J. Busch II
Hairstylist:
Rob Harmon
Key Hair Stylist:
Shellie Biviens
Key Makeup Artist:
Stephanie Barr
Makeup Artist:
Kirsten Sylvester
Makeup Department Head:
Martha Melendez
Music Editor:
Jack Dolman
Original Music Composer:
Gabriel Mann
Post Production Supervisor:
Alexis Wiscomb
Producer:
Adam Siegel
Marc Platt
Production Design:
Jane Musky
Screenplay:
Tim Federle
Script Supervisor:
Lex Hogan
Second Assistant Director:
Brad Robinson
Set Decoration:
Keri Lederman
Special Effects Coordinator:
Gilbert Gertsen
Supervising Sound Editor:
Glenfield Payne
Unit Production Manager:
Guy Efrat
Pamela Thur
Visual Effects Producer:
Isabelle Henault
Visual Effects Supervisor:
Blake Goedde
Ed Bruce
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.