A work in constant progress (and occasional regress).
Alias:
Rob Müller
Robert Müller
Birthplace:
Willemstad, Curaçao, Territory of Curaçao
Born:
April 4, 1940
Died:
July 3, 2018
Robby Müller (4 April 1940 - 4 July 2018) was a Dutch cinematographer. Known both for his use of natural light and minimalist imagery, as well as expressionistic use of colors, Müller first gained recognition for his contributions to West German Cinema through his acclaimed collaborations with Wim Wenders. Müller's first work as a cinematographer was also Wim Wenders' first as director, Alabama: 2000 Light Years. They went on making many more films together such as Summer in the City, The Goalie's Anxiety at the Penalty Kick, The Scarlet Letter, Alice in the Cities, Wrong Move, Kings of the Road, The American Friend, Wings of Desire, Until the End of the World and Paris, Texas. Throughout the course of his career, he also worked closely with directors Jim Jarmusch (Down by Law, Mystery Train, Dead Man, Ghost Dog: The Way of the Samurai), Lars Von Trier (Breaking the Waves, Dancer in the Dark), Peter Bogdanovich (Saint Jack, They All Laughed), Barbet Schroeder (Barfly, Tricheurs) and Hans W. Geissendörfer (Jonathan, The Glass Cell, Carlos, The Wild Duck, Der Fall Lena Christ, Die Eltern). Müller's other work has been on both mainstream productions and independent films, including the hazy, yellow-tinted cinematography of William Friedkin's To Live and Die in LA, Alex Cox's Repo Man, Michael Winterbottom's 24 Hour Party People, Andrzej Wajda's Korczak, Jerry Schatzberg's Honeysuckle Rose, Peter Handke's The Left Handed Woman, Sally Potter's The Tango Lesson, Dom Rotheroe's My Brother Tom and Steve McQueen's Carib’s Leap. Paul Thomas Anderson referred to Müller as "The master of night exteriors. Like a chef with a secret sauce. I can't quite figure it out." Barry Sonnenfeld recalls the first thing he and the Coen Brothers bonded over was Müller's The American Friend cinematography, which convinced the brothers that Sonnenfeld had good enough taste to shoot their first film (Blood Simple). Müller died on 3 July 2018, aged 78, having suffered from vascular dementia for several years.
Assistant Camera:
1968 Love and So Forth
Assistant Director of Photography:
1968 Love and So Forth
1968 To Grab the Ring
Camera Operator:
1968 Love and So Forth
1968 To Grab the Ring
1975 Wrong Move
1976 Kings of the Road
Director of Photography:
1968 Love and So Forth
1968 To Grab the Ring
1969 Alabama (2000 Light Years)
1969 Der Fall Lena Christ
1970 Eine Rose für Jane
1970 Jonathan
1970 Pakbo
1971 Carlos
1972 CAN: The Free Concert
1972 Summer in the City
1973 Die Reise nach Wien
1973 The Scarlet Letter
1974 Alice in the Cities
1974 Die Eltern
1975 The Goalie's Anxiety at the Penalty Kick
1975 Wrong Move
1976 Kings of the Road
1976 The Wild Duck
1977 The American Friend
1978 Mysteries
1978 The Glass Cell
1978 The Left-Handed Woman
1979 In for Treatment
1979 Saint Jack
1980 Hello Fellow Man
1980 Honeysuckle Rose
1981 They All Laughed
1982 A Hot Summer Night
1983 Class Enemy
1983 Les Îles
1983 Un dimanche de flics
1984 Body Rock
1984 Cheaters
1984 Paris, Texas
1984 Repo Man
1985 Finnegan Begin Again
1985 To Live and Die in L.A.
1986 Down by Law
1986 The Longshot
1987 Barfly
1987 The Believers
1988 The Little Devil
1989 Coffee and Cigarettes II
1989 Mystery Train
1989 Notebook on Cities and Clothes
1990 Korczak
1991 Until the End of the World
1993 Mad Dog and Glory
1993 When Pigs Fly
1995 Beyond the Clouds
1995 Dead Man
1995 Last Call
1996 Breaking the Waves
1997 The Tango Lesson
1998 Shattered Image
1999 Buena Vista Social Club
1999 Ghost Dog: The Way of the Samurai
2000 Dancer in the Dark
2001 My Brother Tom
2002 24 Hour Party People
2004 Coffee and Cigarettes
2004 Prologue
2004 Visions of Europe
2014 Ashes
2018 Living the Light: Robby Müller
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.