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Mad Dog and Glory (1993) [R]

Release Date:
March 5, 1993

Original Title:
Mad Dog and Glory

Alternate Titles:
La chica del gánster
Perro Bravo y Gloria
Uma Mulher Entre Dois Homens
Una mujer para dos
Veszett kutya és glória
Бешеный пес и Глори
Лудото куче и Глория

Genres:
Comedy | Crime | Drama | Romance

Production Companies:
Mad Dog Productions
Universal Pictures

Production Countries:
United States of America

Ratings / Certifications:
CZ: 12+  DE: 16  ES: 18  FR: 16  GB: 15  PT: M/16  US: R 

Runtime: 96

A cop who'd rather be an artist. A mobster who'd rather be a comic. And a woman who'd rather be anywhere but between them.

Overview from TheMovieDB

Wayne Dobie is a shy cop whose low-key demeanor has earned him the affectionate nickname "Mad Dog." After Mad Dog saves the life of Frank Milo, a crime boss and aspiring stand-up comedian, he's offered the company of an attractive young waitress named Glory for a week. At first both are uneasy about the arrangement, but they eventually fall in love. However, the situation becomes complicated when Milo demands Glory back.

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Production

Art Direction:
Mark Haack

Casting:
Todd M. Thaler

Co-Producer:
Steven A. Jones

Costume Design:
Rita Ryack

Director:
John McNaughton

Director of Photography:
Robby Müller

Editor:
Elena Maganini
Craig McKay

Executive Producer:
Richard Price

Key Hair Stylist:
Kathe Swanson

Makeup & Hair:
Ilona Herman
Gunnar Swanson

Makeup Artist:
Lisa Collins
Nena Smarz

Original Music Composer:
Elmer Bernstein

Producer:
Barbara De Fina
Martin Scorsese

Production Design:
David Chapman

Set Decoration:
Leslie A. Pope

Special Effects Makeup Artist:
Neal Martz

Stunt Coordinator:
Doug Coleman

Writer:
Richard Price

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.