A work in constant progress (and occasional regress).
Release Date:
December 23, 1995
Original Title:
Dead Man
Alternate Titles:
Hombre muerto
Jim Jarmusch's Dead Man
Genres:
Drama | Fantasy | Western
Production Companies:
12 Gauge Productions
JVC
Newmarket Capital Group
Pandora Film
Production Countries:
Germany | Japan | United States of America
Ratings / Certifications:
AT: 16 AU: RC|R 18+ CZ: 12+ DE: 16 FR: TP GB: 18 GR: K12 IT: T KR: 15 NL: 12 PT: M/12 RU: 18+ US: R
Runtime: 121
William Blake, an accountant turned fugitive, is on the run. During his travels, he meets a Native American man called Nobody, who guides him on a journey to the spiritual world.
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ADR Mixer:
Mark DeSimone
Animation:
Marc Rubone
Apprentice Sound Editor:
Kimberly R. McCord-Wilson
Art Department Coordinator:
Elizabeth A. Beckman
Art Department Production Assistant:
Shari Hilliard
Art Direction:
Ted Berner
Assistant Makeup Artist:
Todd Kleitsch
Assistant Property Master:
Edie Douglass
Suzanne Lapick
Assistant Sound Editor:
Julie Lindner
Dan Evans Farkas
Best Boy Electric:
Michael Palmer
Best Boy Grip:
Byron McCulloch
Boom Operator:
Mark Goodermote
Carpenter:
Michael Blair
Mark Balda
Jack Orlando
James Stephenson
Walt Mikolwski
Mark Borg
Casting:
Laura Rosenthal
Ellen Lewis
Co-Producer:
Karen Koch
Compositing Artist:
Joe Garert
Ken Smith
Construction Coordinator:
Bill Holmquist
Construction Foreman:
Arthur Allyn
Costume Design:
Marit Allen
Dialogue Editor:
Sylvia Menno
Digital Compositor:
Daniel Leung
Mimi Abers
Director:
Jim Jarmusch
Director of Photography:
Robby Müller
Dolly Grip:
Kenny Davis
Editor:
Jay Rabinowitz
Electrician:
James Brisbin
Jon Hokanson
Todd Heater
First Assistant Camera:
Pim Tjujerman
First Assistant Director:
Todd Pfeiffer
Foley Artist:
Marko Costanzo
Foley Editor:
Frank Kern
Kam Chan
Foley Supervisor:
Bruce Pross
Gaffer:
Christopher Porter
Greensman:
Michael Bennett
Kenneth Stellar
Grip:
Bobby L. Smith
Eric Budlong
Tony J. Pirri
Hairstylist:
Clare M. Corsick
Head Carpenter:
Terry Kempf
Key Grip:
Robert K. Feldmann
Key Hair Stylist:
Scott W. Farley
Key Makeup Artist:
Neal Martz
Leadman:
Richard Lambert
Makeup Artist:
Patty York
On Set Dresser:
Kevin Hughes
Original Music Composer:
Neil Young
Producer:
Demetra J. MacBride
Production Design:
Bob Ziembicki
Production Manager:
Beth DePatie
Property Master:
John Pattison
Prosthetic Makeup Artist:
Richard Alonzo
Prosthetics:
Leon Laderach
David Dupuis
Rotoscoping Artist:
Marc Rubone
Scenic Artist:
Cheyenne Ali
George A. Fleming
Craig Anthony Muzio
Kenneth Sylvester
Screenplay:
Jim Jarmusch
Second Assistant Camera:
Lisa K. Ferguson
Second Assistant Director:
Jude Gorjanc
Second Second Assistant Director:
Constance L. Hoy
Second Unit Director of Photography:
Chris Lombardi
Set Decoration:
Dayna Lee
Set Designer:
Stephen M. Vernarelli
Mae Brunken
Sound Effects Editor:
Magdaline Volaitis
Eugene Gearty
Sound Mixer:
Drew Kunin
Sound Re-Recording Mixer:
Hextro
Héctor Cordero
Keith Culbertson
Sound Recordist:
Coll Anderson
Stacey Tanner
Special Effects Assistant:
John C. Carlucci
Special Effects Coordinator:
Lou Carlucci
Joe Fordham
Special Effects Makeup Artist:
Tom Irvin
Joel Harlow
Christopher Allen Nelson
Nori Honda
Special Effects Manager:
Mark Habegger
Steadicam Operator:
Kirk R. Gardner
Jeff Mart
David Luckenbach
Bob Gorelick
Still Photographer:
Christine Parry
Storyboard Artist:
Brick Mason
Stunt Coordinator:
Al Jones
Stunts:
Erik Stabenau
Tori Bridges
Supervising Sound Editor:
Robert Hein
Swing:
Tony Gibson
Karen M. Clark
John A. Foote
Visual Effects Coordinator:
Anne Putnam Kolbe
Visual Effects Producer:
Steven T Puri
Visual Effects Supervisor:
Randall Balsmeyer
Jon Farhat
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.