Marco Coppolecchia

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Recording Supervision:
2008  Torno a vivere da solo
2009  Visions
2015  Pizza and Dates
2016  Caffè
2016  Only For The Weekend
2016  Vita, Cuore, Battito

Sound Mixer:
2005  The Sentimental Education of Eugenie
2008  Sorry if I Love You
2008  Torno a vivere da solo
2009  Visions
2010  Gorbaciof
2010  Kiss Me Again
2010  Welcome to the South
2012  A Flat for Three
2012  The Worst Christmas of My Life
2015  Pizza and Dates
2016  Caffè
2016  In arte Nino
2016  Only For The Weekend
2016  Poor but Rich
2016  Vita, Cuore, Battito
2017  It's All About Karma
2017  It’s the Law
2017  Nine and a Half Moons
2018  Magical Nights
2018  There's No Place Like Home
2019  Modalità aereo
2019  Once Upon a Time in Bethlehem
2020  The Best Years
2021  Si vive una volta sola
2021  Zeros and Ones
2022  I cassamortari
2023  Santocielo

Sound Re-Recording Mixer:
2005  Mary
2005  The Sentimental Education of Eugenie
2008  Blackout
2008  Sorry if I Love You
2008  Torno a vivere da solo
2009  Visions
2010  Gorbaciof
2010  Kiss Me Again
2010  Men Vs Women
2010  Welcome to the South
2011  Lighthearted Boy
2011  The Jewel
2011  Women Vs Men
2012  A Flat for Three
2012  The Worst Christmas of My Life
2015  Pizza and Dates
2016  Caffè
2016  In arte Nino
2016  Only For The Weekend
2016  Poor but Rich
2016  Vita, Cuore, Battito
2017  It's All About Karma
2017  It’s the Law
2017  Nine and a Half Moons
2018  Magical Nights
2018  There's No Place Like Home
2019  Into the Labyrinth
2019  Modalità aereo
2019  Once Upon a Time in Bethlehem
2019  The Staggering Girl
2020  The Best Years
2020  Tommaso
2021  Beckett
2021  Per tutta la vita
2021  Si vive una volta sola
2021  Zeros and Ones
2022  I cassamortari
2023  Santocielo

Sound Mixer:
2022  Framed! A Sicilian Murder Mystery

Sound Re-Recording Mixer:
2020  We Are Who We Are
2022  Framed! A Sicilian Murder Mystery

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.