A work in constant progress (and occasional regress).
Release Date:
October 1, 2010
Original Title:
Benvenuti al sud
Alternate Titles:
Bem-vindo ao Sul
Benvinguts al Sud
Bienvenidos al Sur
Kalos ilthate sto Noto
Welcome to the South
Witaj na poludniu
Καλωσήρθατε στο Νότο
Genres:
Comedy
Production Companies:
Cattleya
Constantin Film
Medusa Film
Production Countries:
Germany | Italy
Ratings / Certifications:
ES: APTA IT: T
Runtime: 102
Alberto, post office manager of a small town in Brianza, under pressure of his wife Sylvia, is willing to do anything to get the transfer to Milan. Even pretending to be disabled to climb in the ranking. But the trick does not work and as punishment, he is transferred in a small town in Campania, which to an inhabitant of the north is equivalent to a nightmare ...
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Assistant Camera:
Massimiliano Ricci
Boom Operator:
Alessandro Molaioli
Camera Operator:
Ivan Casalgrandi
Casting:
Marita D'Elia
Claudia Marotti
Co-Producer:
Oliver Berben
Martin Moszkowicz
Costume Design:
Sonu Mishra
Dialogue Editor:
Davide Favargiotti
Director:
Luca Miniero
Director of Photography:
Paolo Carnera
Editor:
Valentina Mariani
Executive Producer:
Giorgio Magliulo
Dany Boon
Matteo De Laurentiis
First Assistant Director:
Chantal Toesca
Gaffer:
Virgilio Palone
Hairstylist:
Fabio Lucchetti
Key Grip:
Marco Moroni
Line Producer:
Massimo Di Rocco
Carlo Gagliardi
Beatrice Biggi
Makeup Artist:
Raffaella Ragazzi
Original Music Composer:
Umberto Scipione
Original Story:
Franck Magnier
Alexandre Charlot
Dany Boon
Producer:
Giovanni Stabilini
Francesca Longardi
Marco Chimenz
Riccardo Tozzi
Production Coordinator:
Elisabetta Burranca
Production Design:
Paola Comencini
Production Secretary:
Silvia Ricciardi
Screenplay:
Massimo Gaudioso
Script Supervisor:
Gina Neri
Second Assistant Director:
Vincenzo Mineo
Set Decoration:
Andrea Audino
Sound:
Alessandro Bianchi
Sound Effects:
Luca Anzellotti
Sound Mixer:
Marco Coppolecchia
Unit Production Manager:
Daniele Esposito
Paolo Coppola
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.