A work in constant progress (and occasional regress).
Release Date:
March 17, 2016
Original Title:
Vita, Cuore, Battito
Genres:
Comedy
Production Companies:
RAI Cinema
Tunnel Produzioni
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 93
Enzo and Monica, two engaged thirty-year-olds from the outskirts of Naples, lead a life of routine until Enzo makes a sharp bet at the illegal lottery, thanks to which he wins a trip offered up for grabs by the criminal who runs the game. The journey turns out to be an experience somewhere between comical and traumatic, because Enzo and Monica are like two fish out of water in all the contexts in which they find themselves. Even more traumatic, however, is their return to Naples: their trip was wanted by an American laboratory for an anthropological study, which will transform them, despite themselves, into stars.
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Boom Operator:
Fabio Conca
Cinematography:
Daniele Poli
Co-Costume Designer:
Anna Zuccarini
Costume Design:
Mattia Sartoria
Digital Intermediate Colorist:
Francesco Struffi
Director:
Sergio Colabona
Director of Photography:
Daniele Poli
Editor:
Luca Montanari
Executive Producer:
Gianfranco De Rosa
First Assistant Camera:
Eulin Lapardhaja
First Assistant Director:
Dario Cioni
Foley Artist:
Alvaro Gramigna
Foley Recordist:
Filippo Barracco
Hair Department Head:
Luigi Estatico
Location Manager:
Giovanna Napolitano
Makeup Artist:
Valentina Immediato
Makeup Supervisor:
Ciro Florio
Music:
Valerio Jovine
Producer:
Nando Mormone
Production Design:
Fabrizio Petito
Production Secretary:
Manuela Cervone
Recording Supervision:
Marco Coppolecchia
Screenplay:
Ciro Ceruti
Nando Mormone
Script Supervisor:
Chiara Borzacchiello
Second Assistant Camera:
Guido Peluso
Sound Editor:
Alessandro Salvatori
Sound Effects Editor:
Andrea Gramigna
Sound Mixer:
Daniele Maraniello
Story:
Ciro Ceruti
Nando Mormone
Supervising Sound Editor:
Ivan Caso
Unit Manager:
Giovanna Napolitano
Visual Effects:
Diego Capitani
Luca Vulterini
Writer:
Nando Mormone
Ciro Ceruti
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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