A work in constant progress (and occasional regress).
Director:
2014 L'amie d'Amélie
Director of Photography:
2014 L'amie d'Amélie
Editor:
2014 L'amie d'Amélie
2014 Trois contes de Borges
2016 The Geneva Convention
2016 The Red, White and Blue of My Hair
2016 Tête de chien
2017 Older
2018 L'oreille décollée
2018 Little White Dude
2018 The Song
2018 Unforgettable Memory of a Friend
2019 Le bal
2019 Mortenol
2019 The Legend
2019 White Noise
2020 Korea, My Love
2021 Love Song for Tough Guys
2022 My Brothers and I
2022 The Other Widow
2022 Wild Seas
2023 Excursion
2023 If the Sun Drowned Into an Ocean of Clouds
2023 My Sole Desire
2024 Animale
2024 The Medium
???? Nino
Sound Director:
2014 L'amie d'Amélie
2014 Trois contes de Borges
2016 The Geneva Convention
2016 The Red, White and Blue of My Hair
2016 Tête de chien
2017 Older
2018 L'oreille décollée
2018 Little White Dude
2018 The Song
2018 Unforgettable Memory of a Friend
2019 Le bal
2019 Mortenol
2019 The Legend
2019 White Noise
2020 Korea, My Love
2021 Love Song for Tough Guys
2022 My Brothers and I
2022 The Other Widow
2022 Wild Seas
2023 Excursion
2023 If the Sun Drowned Into an Ocean of Clouds
2023 My Sole Desire
2024 Animale
2024 The Medium
???? Nino
Writer:
2014 L'amie d'Amélie
2014 Trois contes de Borges
2016 The Geneva Convention
2016 The Red, White and Blue of My Hair
2016 Tête de chien
2017 Older
2018 L'oreille décollée
2018 Little White Dude
2018 The Song
2018 Unforgettable Memory of a Friend
2019 Le bal
2019 Mortenol
2019 The Legend
2019 White Noise
2020 Korea, My Love
2021 Love Song for Tough Guys
2022 My Brothers and I
2022 The Other Widow
2022 Wild Seas
2023 Excursion
2023 If the Sun Drowned Into an Ocean of Clouds
2023 My Sole Desire
2024 Animale
2024 The Medium
???? Nino
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.