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White Noise (2019) [N/A]

Release Date:
July 28, 2019

Original Title:
White Noise

Genres:
Documentary

Production Companies:
Antoine d'Agata

Production Countries:
France

Ratings / Certifications:
 N/A

Runtime: 240

Overview from TheMovieDB

The acclaimed work of photographer Antoine d’Agata has mostly been a journey into the heart of darkness, dealing with random and nightly encounters, sex and prostitution. So it's no surprise that the monumental White Noise leads again to the underworld of sex workers, from Cambodia to Norway, from Ukraine to USA. Built around more than 20 monologues, this films delivers trance-like visions of women in rapture induced by sex or narcotics.

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Production

Cinematography:
Antoine D'Agata

Director:
Antoine D'Agata

Editor:
Clémence Diard

Music:
Gilles Bénardeau

Producer:
Antoine D'Agata

Sound:
Pierre Desprats

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.