A work in constant progress (and occasional regress).
Release Date:
November 27, 2024
Original Title:
Animale
Alternate Titles:
Bullgirl
Genres:
Drama | Fantasy
Production Companies:
Frakas Productions
France 3 Cinéma
June Films
RTBF
Wild Bunch
Production Countries:
Belgium | France
Ratings / Certifications:
N/A
Runtime: 98
Camargue, France - Nejma trains hard to win the local bullfighting competition. When she is mauled after a celebration, she starts to notice disturbing changes. News of a rogue bull on the loose terrifies the community, killing young men.
"B" Camera Operator:
Tarik Rebeihi
Additional Grip:
Robin Gasnier
Assistant Art Director:
Anaïs Lazreg
Assistant Editor:
Théo Zürcher
Camera Operator:
Frederic Moura
Casting Director:
Cendrine Lapuyade
Construction Manager:
Laurent Gooris
Costume Design:
Fabienne Menguy
Dialogue Editor:
Aïda Merghoub
Director:
Emma Benestan
Director of Photography:
Ruben Impens
Drone Pilot:
Alex Bouton
Editor:
Clémence Diard
Executive Producer:
Gaëtane Josse
First Assistant "A" Camera:
Charlotte Vitroly
First Assistant "B" Camera:
Dorothée Guermonprez
First Assistant Director:
Claude Guillouard
Foley Artist:
Philippe van Leer
Line Producer:
Christophe Hollebeke
Post Production Supervisor:
Lizette Nagy
Producer:
Julie Billy
Naomi Denamur
Cassandre Warnauts
Jean-Yves Roubin
Production Design:
Eve Martin
Production Manager:
Jérôme Briand
Yuki Kuroda
Property Master:
Jeanne Fonsny
Second Assistant Camera:
Thomas Hauser
Set Dresser:
Séverine Closset
Sophie Duque
Sound Assistant:
Cécile Février
Sound Designer:
Gert Janssen
Sound Mixer:
Anne Dupouy
Sound Re-Recording Mixer:
Emmanuel de Boissieu
Supervising Sound Editor:
Gert Janssen
Third Assistant Camera:
Philémon Mouz
Writer:
Emma Benestan
Julie Debiton
Vincent Le Port
Yasmine Benkiran
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.