A work in constant progress (and occasional regress).
Dialogue Editor:
2009 L'ultimo ultras
2010 Welcome to the South
2011 Box Office 3D: The Filmest of Films
2012 Welcome to the North
2013 Something Good
2013 The Unlikely Prince
2014 A Boss in the Living Room
2015 The Gunman
2015 We Accept Miracles
2016 Swallows and Amazons
2017 Call Me by Your Name
2018 All Is True
2018 Black Mirror: Bandersnatch
2018 Dogman
2019 The Staggering Girl
2020 Military Wives
2021 Beckett
2022 America Latina
2024 Challengers
Sound:
2009 L'ultimo ultras
2010 Welcome to the South
2011 Box Office 3D: The Filmest of Films
2012 Welcome to the North
2013 Something Good
2013 The Unlikely Prince
2014 A Boss in the Living Room
2015 The Gunman
2015 We Accept Miracles
2016 Swallows and Amazons
2017 Call Me by Your Name
2018 All Is True
2018 Black Mirror: Bandersnatch
2018 Dogman
2019 The Staggering Girl
2020 Fiori, Fiori, Fiori!
2020 Military Wives
2020 Pino
2021 Beckett
2022 America Latina
2022 Zio Palmiro
2024 Challengers
Sound Editor:
2009 L'ultimo ultras
2010 Welcome to the South
2011 Box Office 3D: The Filmest of Films
2012 Welcome to the North
2013 Isaac
2013 Something Good
2013 The Unlikely Prince
2014 A Boss in the Living Room
2015 The Gunman
2015 We Accept Miracles
2016 Swallows and Amazons
2017 Call Me by Your Name
2018 All Is True
2018 Black Mirror: Bandersnatch
2018 Dogman
2018 Overboard
2019 The Most Beautiful Day in the World
2019 The Staggering Girl
2020 Fiori, Fiori, Fiori!
2020 Military Wives
2020 Pino
2021 Beckett
2021 O Night Divine
2022 America Latina
2022 Zio Palmiro
2024 Challengers
2024 Queer
Supervising Dialogue Editor:
2009 L'ultimo ultras
2010 Welcome to the South
2011 Box Office 3D: The Filmest of Films
2012 Welcome to the North
2013 Isaac
2013 Something Good
2013 The Unlikely Prince
2014 A Boss in the Living Room
2015 A Bigger Splash
2015 The Gunman
2015 We Accept Miracles
2016 Swallows and Amazons
2017 Call Me by Your Name
2018 All Is True
2018 Black Mirror: Bandersnatch
2018 Dogman
2018 Overboard
2019 The Most Beautiful Day in the World
2019 The Staggering Girl
2020 Fiori, Fiori, Fiori!
2020 Military Wives
2020 Pino
2021 Beckett
2021 O Night Divine
2022 America Latina
2022 Zio Palmiro
2024 Challengers
2024 Queer
Supervising Sound Editor:
2009 L'ultimo ultras
2010 Welcome to the South
2011 Box Office 3D: The Filmest of Films
2012 Welcome to the North
2013 Isaac
2013 Something Good
2013 The Unlikely Prince
2014 A Boss in the Living Room
2014 Bota
2015 A Bigger Splash
2015 The Gunman
2015 We Accept Miracles
2016 Swallows and Amazons
2017 Call Me by Your Name
2018 All Is True
2018 Black Mirror: Bandersnatch
2018 Dogman
2018 Due piccoli italiani
2018 Overboard
2019 The Guest
2019 The Most Beautiful Day in the World
2019 The Staggering Girl
2020 Fiori, Fiori, Fiori!
2020 Military Wives
2020 Pino
2021 Beckett
2021 O Night Divine
2022 America Latina
2022 Zio Palmiro
2024 Challengers
2024 Queer
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.