A work in constant progress (and occasional regress).
Release Date:
March 6, 2020
Original Title:
Military Wives
Alternate Titles:
La sfide delle mogli
Military Wives - Mulheres de Armas
Pojedynek na głosy
Sangklubben
The Singing Club
Yhteinen sävel
Épouses de Militaires
Военни съпруги
Genres:
Drama
Production Companies:
42
Embankment Films
Ingenious Media
Tempo Productions
Production Countries:
United Kingdom
Ratings / Certifications:
AU: M CA: 14A CH: 12 DE: 6 DK: 7 FI: S FR: U GR: Κ-12 IE: 12A NL: AL NO: A PL: 12 PT: M/12 RU: 16+ SE: Btl SG: PG13 UA: 16+
Runtime: 113
Inspired by global phenomenon of military wives choirs, the story celebrates a band of misfit women who form a choir on a military base. As unexpected bonds of friendship flourish, music and laughter transform their lives, helping each other to overcome their fears for loved ones in combat.
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"A" Camera Operator:
Ray Carlin
ADR Editor:
Adam Horley
ADR Voice Casting:
Phoebe Scholfield
Art Direction:
Alexandra Toomey
Assistant Costume Designer:
Charlotte Sewell
Assistant Editor:
Conor Mackey
Assistant Music Supervisor:
Kathleen Hasay
Assistant Production Coordinator:
Rhiann Jeffrey
Chelsea Bulloch
Best Boy Electric:
Russell Tann
Camera Trainee:
Jamie Touche
Ashley Rees
Casting:
Julie Harkin
Casting Associate:
Emma Crompton
Rae Hendrie
Co-Producer:
Miriam Brent
Eleanor Moran
Construction Manager:
Richard Wardale
Costume Design:
Jill Taylor
Costume Supervisor:
Tania Chant
Dialogue Editor:
Adam Horley
Davide Favargiotti
Gavin Rose
Digital Imaging Technician:
Kristin Davis
Director:
Peter Cattaneo
Director of Photography:
Hubert Taczanowski
Drone Operator:
Steve Quan
Editor:
Anne Sopel
Lesley Walker
Electrician:
Damian Smyth
Adrian Sworn
Executive Producer:
Emma Berkofsky
René Besson
Liz Gallacher
Tim Haslam
Joshua Horsfield
Zygi Kamasa
Peter Touche
Hugo Grumbar
Josh Varney
Stephen Spence
Orlando Wood
Jo Bamford
Hana Canter
Emma Willis
First Assistant "A" Camera:
James Harrison
First Assistant "B" Camera:
Erin Currie
First Assistant Director:
Barry Keil
Gaffer:
Stuart King
Graphic Designer:
Joshua Douglas-Bagley
Grip:
Ian Ogden
Hair Designer:
Charlotte Hayward
Hair Supervisor:
Sarah Kelly
Hairstylist:
Nicola Iles
Polly Mossman
Key Grip:
Kevin Foy
Makeup Artist:
Nicola Iles
Polly Mossman
Makeup Designer:
Charlotte Hayward
Makeup Supervisor:
Sarah Kelly
Music Coordinator:
Queenie Li
Music Editor:
Rodney Berling
Music Supervisor:
Liz Gallacher
Original Music Composer:
Lorne Balfe
Payroll Accountant:
Anna Cole
Post Production Coordinator:
Luke Gavin
Scott P. Fraser
Post Production Supervisor:
Emma Zee
Producer:
Rory Aitken
Ben Pugh
Piers Tempest
Production Accountant:
Morgan Blackmore
Production Coordinator:
Jannika Öberg
Bridie Sinden
Production Design:
John Beard
Production Manager:
Claire Campbell
Production Sound Mixer:
Paul Paragon
Property Master:
Billy Wilson
Script Supervisor:
Sylvia Parker
Second Assistant "A" Camera:
Loren Filis
Second Assistant "B" Camera:
Roy Bell
Second Assistant Director:
Callum Carson
Second Unit Director of Photography:
Richard Swingle
Ray Carlin
Set Decoration:
Kate Guyan
Sound Effects Editor:
Matt Waites
Sound Mixer:
Giancarlo Dellapina
Sound Re-Recording Mixer:
Matthias Schwab
Special Effects Supervisor:
Scott McIntyre
Special Effects Technician:
Eddy Popplewell
Stand In:
Kasia Kaszowska
Standby Art Director:
India Jaques
Steadicam Operator:
Ray Carlin
Still Photographer:
Aimee Spinks
Storyboard Artist:
Temple Clark
Stunt Coordinator:
Julian Spencer
Stunt Double:
Claire Lawrence
Daniel Awde
Stunt Driver:
Chris Morrison
Supervising Sound Editor:
Dillon Bennett
Third Assistant Director:
Alexandra Beahan
Unit Publicist:
Kirsty Langsdale
Visual Effects Coordinator:
Fred Donoghue
Visual Effects Producer:
Vikram Chadha
Visual Effects Supervisor:
Sebastian Barker
Writer:
Rosanne Flynn
Rachel Tunnard
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.