Rinaldo Ricci

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Assistant Director:
1959  The Big Night
1965  The Three Faces
1967  The Stranger
1967  The Taming of the Shrew
1967  The Witches
1968  Romeo and Juliet
1973  Property Is No Longer a Theft
1980  La Cage aux Folles II

Co-Director:
1955  Abandoned
1959  The Big Night
1965  Made in Italy
1965  The Three Faces
1967  The Stranger
1967  The Taming of the Shrew
1967  The Witches
1968  Romeo and Juliet
1969  Burn!
1973  Property Is No Longer a Theft
1980  La Cage aux Folles II

Continuity:
1952  Bellissima
1955  Abandoned
1959  The Big Night
1965  Made in Italy
1965  The Three Faces
1967  The Stranger
1967  The Taming of the Shrew
1967  The Witches
1968  Romeo and Juliet
1969  Burn!
1973  Property Is No Longer a Theft
1980  La Cage aux Folles II

First Assistant Director:
1952  Bellissima
1952  Red Shirts - Anita Garibaldi
1954  High School
1954  Neapolitan Carousel
1955  Abandoned
1955  Disperato addio
1957  The Most Wonderful Moment
1958  Camping
1959  Hell in the City
1959  My Wife's Enemy
1959  The Big Night
1959  The Swindlers
1960  ...And Suddenly It's Murder!
1960  Rocco and His Brothers
1960  The Employee
1961  Leoni al sole
1963  The Leopard
1964  Time of Indifference
1965  Made in Italy
1965  Sandra
1965  The Three Faces
1967  The Head of the Family
1967  The Stranger
1967  The Taming of the Shrew
1967  The Witches
1968  Romeo and Juliet
1968  The Girl Who Couldn't Say No
1969  Burn!
1970  Operation Snafu
1973  Property Is No Longer a Theft
1974  Bread and Chocolate
1974  Watch Out, We're Mad
1975  Midnight Pleasures
1976  Dear Michele
1976  Goodnight, Ladies and Gentlemen
1977  An Average Little Man
1979  Lovers and Liars
1980  Fontamara
1980  Hurricane Rosie
1980  La Cage aux Folles II
1983  Christmas Holidays
1985  Attention
1987  Montecarlo Gran CasinĂ²
1989  The Sleazy Uncle
1990  The Palermo Connection
1990  Towards Evening

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.