A work in constant progress (and occasional regress).
Featuring:
Marcello Mastroianni, Sandrine Bonnaire, Zoe Incrocci
Written by:
Francesca Archibugi
Gloria Malatesta
Claudia Sbarigia
Directed by:
Francesca Archibugi
Release Date:
December 21, 1990
Original Title:
Verso sera
Alternate Titles:
By Nightfall
Dans la soirée
Estefelé
Querer es un sentimiento
黄昏に瞳やさしく
Genres:
Drama
Production Companies:
Ellepi Films
Paradis Films
Production Countries:
France | Italy
Ratings / Certifications:
IT: T
Runtime: 99
Italy, 1977. Professor Bruschi is a retired widower who lives according to a strict routine he set for himself. An ardent old-style communist, he has always been at odds with the unconventional lifestyle led by his son and his hippieish girlfriend Stella. When their four-year-old daughter is left in his care out of the blue after the two break up, the old professor becomes a sort of father figure to the girl, growing fond of her. However he's once again challenged when Stella also arrives for a stay in his elegant villa, reclaiming custody of her daughter.
Professor Ludovico Bruschi is an elderly Communist whose desire is that of living in an orderly and socially just State. But disorder is just about to break into his life, first of all in the shape of his granddaughter Papere and then in that of Papere's mother Stella, his son's companion. The relationship between Oliviero, Bruschi's son, and Stella has come to an end perhaps because of the extreme youth of the two lovers. Now Professor Bruschi is obliged to come to terms with the gloomy, ignorant, offended Stella whose head is full of false and destructive ideals and who disturbs his way of living out daily life. The professor loses his patience and Stella leaves. He looks for her and finds her in hospital with a broken leg. The two of them begin to grow close and then, without realizing it, they come to love each other immensely. Stella's leg gets better and she goes off to look for new relationships, new experiences, while the Professor goes on waiting for her: and all this in the presence of Papere, too young to understand.
Additional Editor:
Claudio Razzi
Administration:
Renato Rinaldo
Franco Penna
Assistant Costume Designer:
Angela Taffani
Assistant Editor:
Sylvie Fehr
Marina Vatteroni
Assistant Production Design:
Debora Pelliccia
Gisella Brozzetti
Francesca Ravello
Mario Lamorgese
Assistant Sound Editor:
Anna Maria Bussi
Boom Operator:
Decio Trani
Camera Operator:
Enrico Lucidi
Massimiliano Sano
Casting:
Rita Forzano
Costume Design:
Paola Marchesin
Delegated Producer:
Gianna Bellavia
Director:
Francesca Archibugi
Director of Photography:
Paolo Carnera
Editor:
Roberto Missiroli
First Assistant Camera:
Roberto De Nigris
Pietro Clemente
Luigi Cecchini
First Assistant Director:
Rinaldo Ricci
First Assistant Editor:
Esmeralda Calabria
Hair Department Head:
Gisella Ginnoto
Line Producer:
Guido De Laurentiis
Makeup Artist:
Tiziana Trani
Davide Trani
Makeup Department Head:
Dante Trani
Original Music Composer:
Battista Lena
Roberto Gatto
Producer:
Leo Pescarolo
Guido De Laurentiis
Production Assistant:
Elisabetta Cacchiò
Alessandro Calabrese
Valeria Guglielmotti
Production Coordinator:
Alessandro Tonnini
Production Design:
Paola Marchesin
Osvaldo Desideri
Production Manager:
Claudio Gaeta
Property Master:
Maurizio Jacopelli
Luigi Urbani
Donato Montanari
Public Relations:
Patrizia Biancamano
Annarosa Morri
Screenplay:
Claudia Sbarigia
Gloria Malatesta
Francesca Archibugi
Script Supervisor:
Nicoletta Vegezzi
Seamstress:
Floriana Scalabrelli
Angela Anzimani
Second Assistant Camera:
Ivan Casalgrandi
Silvia Falanga
Second Assistant Director:
Cinzia Sinibaldi
Elisabetta Boni
Set Decoration:
Mario Rossetti
Sound:
Franco Borni
Sound Editor:
Giancarlo Carotenuto
Sound Engineer:
Gianrico La Rosa
Steadicam Operator:
Nicola Pecorini
Still Photographer:
Antonella Pizzamiglio
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.