A work in constant progress (and occasional regress).
Release Date:
February 12, 1965
Original Title:
I tre volti
Alternate Titles:
En kvinnas tre ansikten
Los tres rostros de Soraya
Los tres rostros de una mujer
Three Faces of a Woman
Три лица
Genres:
Comedy | Drama | Romance
Production Companies:
DDL Cinematografica
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 115
Italian comedy film made of three segments directed by Michelangelo Antonioni, Mauro Bolognini and Franco Indovina. First segment: Il Provino; second segment: Gli amanti celebri; third segment: Latin Lover.
Art Direction:
Piero Tosi
Assistant Camera:
Ettore De Tomasi
Enrico Fontana
Assistant Director:
Silvio Maestranzi
Rinaldo Ricci
Gianni Arduini
Associate Producer:
Luigi Luraschi
Camera Operator:
Dario Di Palma
Arturo Zavattini
Continuity:
Serena Canevari
Elvira D'Amico
Director:
Mauro Bolognini
Franco Indovina
Michelangelo Antonioni
Director of Photography:
Carlo Di Palma
Otello Martelli
Editor:
Eraldo Da Roma
Nino Baragli
Hairdresser:
Maria Teresa Corridoni
Makeup Artist:
Goffredo Rocchetti
Franco Corridoni
Music:
Piero Piccioni
Producer:
Dino De Laurentiis
Production Manager:
Alfredo De Laurentiis
Production Secretary:
Emanuele Spatafora
Set Designer:
Franco Bottari
Set Dresser:
Cesare Rovatti
Sound Engineer:
Vittorio Trentino
Still Photographer:
Alfonso Avincola
Unit Manager:
Carlo Bartolini
Lucio Orlandini
Writer:
Franco Brusati
Rodolfo Sonego
Alberto Sordi
Franco Indovina
Clive Exton
Tullio Pinelli
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.