Pasquale Cuzzupoli

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Color Grading:
1997  Marianna Ucrìa
2004  The Consequences of Love

Color Timer:
1989  The Mask of Satan
1995  Beyond the Clouds
1997  Marianna Ucrìa
2001  The Profession of Arms
2004  The Consequences of Love
2005  Come Into the Light
2006  The Goodbye Kiss

Colorist:
1981  Hotel Room
1986  The Professor
1989  The Mask of Satan
1990  Fantozzi to the Rescue
1990  The Comics
1991  The Comics 2
1991  Zitti e mosca
1992  Saint Tropez, Saint Tropez
1995  Beyond the Clouds
1995  Honeymoon Trips
1996  Sacred Silence
1997  Il viaggio della sposa
1997  Life Is Beautiful
1997  Marianna Ucrìa
1998  The Way We Laughed
2001  The Profession of Arms
2001  Vajont
2002  Natale sul Nilo
2004  The Consequences of Love
2004  The Scent of Blood
2005  Come Into the Light
2006  The Goodbye Kiss
2009  The Big Dream
2010  Tutto l'amore del mondo
2019  Mafia Is Not What It Used to Be

Post Production Supervisor:
1981  Hotel Room
1986  The Professor
1989  The Mask of Satan
1990  Fantozzi to the Rescue
1990  The Comics
1991  The Comics 2
1991  Zitti e mosca
1992  Saint Tropez, Saint Tropez
1995  Beyond the Clouds
1995  Honeymoon Trips
1996  Sacred Silence
1997  Il viaggio della sposa
1997  Life Is Beautiful
1997  Marianna Ucrìa
1998  The Way We Laughed
2001  The Profession of Arms
2001  Vajont
2002  Natale sul Nilo
2004  The Consequences of Love
2004  The Scent of Blood
2005  Come Into the Light
2006  The Goodbye Kiss
2007  One Hundred Nails
2009  The Big Dream
2010  Tutto l'amore del mondo
2019  Mafia Is Not What It Used to Be

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.