Come Into the Light (2005) [N/A]

Release Date:
January 21, 2005

Original Title:
Alla luce del sole

Alternate Titles:
A pleno sol
By the Light of Day
Come Into the Light

Genres:
Crime | Drama | History

Production Companies:
Jean Vigo Italia
Mikado Film
RAI Cinema

Production Countries:
Italy

Ratings / Certifications:
AR: 13  GB: 15  IT: T 

Runtime: 90

The true story of the priest who challenged the might of the Mafia

In 1990s Palermo, Pino Puglisi is a priest from the neglected Brancaccio neighborhood dedicated in helping kids to get off the streets and creating an embracing place of hope and solidarity in his church, which means trouble for the local Mafia. He continues his solitary fight until the bitter end.

Additional information:

The Search Form


Accountant:
Stefano Bassetti

Assistant Costume Designer:
Natasha Marinacci
Samuela Cirrone

Assistant Editor:
Anna Del Dotto
Francesco Bilotti
Bruna Viti

Assistant Production Design:
Sergio Tribastone
Marcello Di Carlo

Assistant Property Master:
Salvatore Castronuovo
Antonino Pagano
Nunzio La Venuta

Boom Operator:
Andrea Dallimonti

Camera Operator:
Alessandro Ghiara
Gianmaria Majorana

Casting Coordinator:
Dino Gentili

Casting Director:
Shaila Rubin

Chief Lighting Technician:
Claudio Gallicchio

Co-Writer:
Gianni Arduini
Filippo Gentili
Giacomo Faenza
Dino Gentili
Cristiana Del Bello

Color Grading:
Gianni Cerniglia

Color Timer:
Pasquale Cuzzupoli

Costume Design:
Sonu Mishra

Creature Effects Technical Director:
Sergio Stivaletti

Dialogue:
Lollo Franco

Director:
Roberto Faenza

Director of Photography:
Italo Petriccione

Editor:
Massimo Fiocchi

Executive Producer:
Claudio Grassetti
Giulio Cestari

Extras Casting Coordinator:
Alice Lo Cascio
Francesca Fatta
Tiziana Barca
Arianna Caruso
Alessandra D'Alessandro
Davide Scibilia
Stefania Mazzola

First Assistant Camera:
Simone Zampagni
Claudio Palmieri

First Assistant Director:
Gaia Gorrini

Gaffer:
Cristiano Trentini
Roberto Magliozzo
Massimo Moreschini
Angelo Castagna

Generator Operator:
Alberto Grassi

Grip:
Guido Mestre
Francesco Magliozzo
Umberto Volpe

Hair Department Head:
Ferdinando Merolla

Hairstylist:
Dorotea Tomasello

Key Grip:
Massimo Barbona

Line Producer:
Silvia Scerrino

Location Manager:
Chiara Vullo

Makeup Artist:
Raffaella Ragazzi

Makeup Department Head:
Maurizio Nardi

Music:
Andrea Guerra

Painter:
Paola Santini

Post Production Supervisor:
Franco Casellato

Producer:
Elda Ferri

Production Accountant:
Carlo Caputo

Production Assistant:
Leandro Lepre
Pasquale Di Giovanni
Umberto Lepre
Rosolino Pizzuto

Production Design:
Davide Bassan

Production Secretary:
Antonella Sorce
Marcello Colantoni
Aline Del Campo
Salvatore Prestifilippo

Prop Designer:
Luca Bucciarelli

Property Master:
Giuseppe Proia

Screenplay:
Roberto Faenza

Script Supervisor:
Francesca Muscolino

Seamstress:
Vincenza Maria Marfia
Zaira Musso

Second Assistant Camera:
Simone D'Onofrio

Second Assistant Director:
Antonio Bellia

Second Second Assistant Director:
Guia Garsia

Sound:
Mario Dallimonti

Sound Editor:
Marzia Cordò

Sound Mixer:
Danilo Moroni

Still Photographer:
Olimpia Pallavicino Mossi

Story:
Roberto Faenza

Stunt Coordinator:
Massimo Vanni

Stunts:
Saverio D'Amico
Alessandro Gaudio

Unit Production Manager:
Nicoletta Maggi
Giovanni Federico
Anita Pellacci

VFX Supervisor:
Stefano Marinoni

Video Assist Operator:
Giuseppe Franco Giorgianni

Video Report:
Filippo Macelloni

Visual Effects Assistant Editor:
Federica Nisi

Visual Effects Producer:
Paola Trisoglio

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.