A work in constant progress (and occasional regress).
ADR Editor:
2014 The Longest Week
Assistant Sound Editor:
2002 Adaptation.
2014 The Longest Week
Dialogue Editor:
2002 Adaptation.
2005 The Squid and the Whale
2014 Palo Alto
2014 The Longest Week
2016 Paris Can Wait
Sound:
1998 Shari Shapiro's Slumber Party
2002 Adaptation.
2005 The Squid and the Whale
2014 Palo Alto
2014 The Longest Week
2016 Paris Can Wait
Sound Editor:
1998 Shari Shapiro's Slumber Party
2002 Adaptation.
2004 The Stepford Wives
2005 The Squid and the Whale
2014 Palo Alto
2014 The Longest Week
2016 Paris Can Wait
2024 I Saw the TV Glow
Sound Effects Editor:
1998 Shari Shapiro's Slumber Party
2002 Adaptation.
2003 Lost in Translation
2004 The Stepford Wives
2005 The Squid and the Whale
2014 Palo Alto
2014 The Longest Week
2016 Paris Can Wait
2021 Minari
2024 I Saw the TV Glow
Sound Re-Recording Mixer:
1998 Shari Shapiro's Slumber Party
2002 Adaptation.
2003 Lost in Translation
2004 The Stepford Wives
2005 The Squid and the Whale
2014 Night Moves
2014 Palo Alto
2014 The Longest Week
2016 Paris Can Wait
2021 Minari
2024 I Saw the TV Glow
Supervising Dialogue Editor:
1998 Shari Shapiro's Slumber Party
2002 Adaptation.
2003 Lost in Translation
2004 The Stepford Wives
2005 The Squid and the Whale
2014 Night Moves
2014 Palo Alto
2014 The Longest Week
2016 Paris Can Wait
2017 The Beguiled
2021 Minari
2024 I Saw the TV Glow
Supervising Sound Editor:
1998 Shari Shapiro's Slumber Party
2002 Adaptation.
2003 Lost in Translation
2004 The Stepford Wives
2005 The Squid and the Whale
2014 Night Moves
2014 Palo Alto
2014 The Longest Week
2016 Paris Can Wait
2017 The Beguiled
2021 Minari
2024 I Saw the TV Glow
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.