A work in constant progress (and occasional regress).
Additional Music:
2017 Dolphin Man
Music:
2015 Sembene!
2015 Star Men
2016 Migrant Dreams
2017 Dolphin Man
2017 Names on the Cup
2018 The Accountant of Auschwitz
Original Music Composer:
1997 Project Grizzly
2005 Smudge
2011 The Market
2012 The Real Sherlock Holmes
2012 The World Before Her
2015 Sembene!
2015 Star Men
2016 Migrant Dreams
2017 Dolphin Man
2017 Names on the Cup
2018 The Accountant of Auschwitz
2019 Untying the Knot
2020 The Letter
2021 The Face of Anonymous
2023 Queen of the Deuce
Sound:
1997 Project Grizzly
2005 Smudge
2011 The Market
2012 The Real Sherlock Holmes
2012 The World Before Her
2013 Carpe Diem: A Fishy Tale
2015 Sembene!
2015 Star Men
2016 Migrant Dreams
2017 Dolphin Man
2017 Names on the Cup
2018 The Accountant of Auschwitz
2019 Untying the Knot
2020 The Letter
2021 The Face of Anonymous
2023 Queen of the Deuce
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.