A work in constant progress (and occasional regress).
Release Date:
March 31, 2023
Original Title:
Queen of the Deuce
Genres:
Animation | Documentary | History
Production Companies:
Canada Media Fund | Fonds des médias du Canada
Creative Europe Media
Documentary Channel
Exile Films
Front Row Insurance Brokers
GAT PR
Goldenberg Nahmias
Greenwich Entertainment
Production Countries:
Canada | Greece
Ratings / Certifications:
US: NR
Runtime: 75
The unbelievable true story of Chelly Wilson, who escaped the Holocaust and built a porn cinema empire in New York City in the 1970s. Chelly was a Greek-born, Christmas-celebrating, Jewish grandma, who married men but was openly gay. This documentary charts her unlikely rise to wealth as a shrewd businesswoman on “The Deuce,” aka New York’s infamous 42nd Street.
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Director:
Valerie Kontakos
Director of Photography:
Martina Radwan
Patrick McGowan
Editor:
Rob Ruzic
Executive Producer:
Valerie Kontakos
Bondi Walters
Don Walters
Ed Barreveld
Original Music Composer:
Ken Myhr
Post Production Supervisor:
Thanasis Dovas
Stephanie de Bem
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.