A work in constant progress (and occasional regress).
Release Date:
October 28, 2017
Original Title:
Dolphin Man
Alternate Titles:
L'Homme dauphin, sur les traces de Jacques Mayol
Genres:
Documentary | TV Movie
Production Companies:
ARTE GEIE
Anemon Productions
EPT
Greek Film Centre
Impleo
Les Films du Balibari
Storyline Entertainment
WOWOW FILMS
Production Countries:
Canada | France | Greece | Italy | Japan
Ratings / Certifications:
DE: 6 FR: TP
Runtime: 87
As well as providing the subject for Luc Besson’s The Big Blue, Jacques Mayol did more than anyone to establish the sport of free diving to enormous depths without an oxygen supply. Using breathing techniques derived from yoga, he went to 50, 60, and even 100 meters—depths no one had considered to be within the bounds of human possibility. Mayol was a sportsman, a mystic, a vagabond, but above all, a man who believed in testing the limits of experience. This visually stunning tribute shows a man’s quest to be at one with the vastness of the ocean and to have no fear of the abyss within, where lurks serenity, freedom and finally, death.
Additional Music:
Ken Myhr
Garth Stevenson
Administration:
Sophie Guillassou
Agathe Corbin
Babeth Gbadié
Corine Ringot
Emilie Renard
Archival Footage Research:
Erin Chisholm
Assistant Editor:
Jordan Kawai
Katie Murray
Tim Patterson
Cinematography:
Stelios Apostolopoulos
Director:
Lefteris Charitos
Editor:
David Kazala
Executive Producer:
Seiko Kato
Marta Zaccaron
Marco Alessi
Original Music Composer:
Mathieu Lamboley
Post Production Supervisor:
Shasha Nakhai
Producer:
Estelle Robin-You
Rea Apostolides
Ed Barreveld
Yuri Averof
Production Coordinator:
Guilia Achilli
Adeline Moulliet
Merryl Roche
Production Manager:
Armel Parisot
Kyveli Short
Fabiana Balsamo
Leonidas Liambeys
Elektra Peppa
Sound Editor:
Olivier Dandré
Writer:
Lefteris Charitos
Yuri Averof
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.