A work in constant progress (and occasional regress).
Additional Camera:
1994 Hammers Over the Anvil
Camera Operator:
1982 This Woman Is Not a Car
1985 An Indecent Obsession
1987 The Time Guardian
1994 Hammers Over the Anvil
2000 Sample People
Cinematography:
1982 This Woman Is Not a Car
1985 An Indecent Obsession
1987 Coda
1987 The Time Guardian
1988 Fever
1994 Hammers Over the Anvil
2000 Sample People
2000 Scratch
2001 Bodyjackers
2003 The Honourable Wally Norman
Clapper Loader:
1975 Picnic at Hanging Rock
1978 Money Movers
1982 This Woman Is Not a Car
1985 An Indecent Obsession
1987 Coda
1987 The Time Guardian
1988 Fever
1994 Hammers Over the Anvil
2000 Sample People
2000 Scratch
2001 Bodyjackers
2003 The Honourable Wally Norman
Director of Photography:
1975 Picnic at Hanging Rock
1978 Money Movers
1982 This Woman Is Not a Car
1985 An Indecent Obsession
1987 Coda
1987 The Time Guardian
1988 Fever
1988 The Dreaming
1994 Hammers Over the Anvil
1996 McLeod's Daughters
1996 The Territorians
1998 Icarus
1998 The Real Macaw
1999 Monster!
2000 Chameleon 3: Dark Angel
2000 Cut
2000 Sample People
2000 Scratch
2000 Selkie
2000 The Magicians
2001 Bodyjackers
2002 The Rats
2003 Code 11-14
2003 The Honourable Wally Norman
2012 Swerve
Focus Puller:
1975 Picnic at Hanging Rock
1978 Money Movers
1982 This Woman Is Not a Car
1983 Midnite Spares
1983 The Winds of Jarrah
1985 An Indecent Obsession
1987 Coda
1987 The Time Guardian
1988 Fever
1988 The Dreaming
1994 Hammers Over the Anvil
1996 McLeod's Daughters
1996 The Territorians
1998 Icarus
1998 The Real Macaw
1999 Monster!
2000 Chameleon 3: Dark Angel
2000 Cut
2000 Sample People
2000 Scratch
2000 Selkie
2000 The Magicians
2001 Bodyjackers
2002 The Rats
2003 Code 11-14
2003 The Honourable Wally Norman
2012 Swerve
Director of Photography:
1993 The Feds
2004 10.5
2006 10.5: Apocalypse
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.