A work in constant progress (and occasional regress).
Release Date:
November 12, 2003
Original Title:
The Honourable Wally Norman
Genres:
Comedy
Production Companies:
Ocean Pictures Pty. Limited
Production Countries:
Australia
Ratings / Certifications:
AU: M
Runtime: 88
A meat worker is accidentally nominated to run for Parliament and realises that to save the meat works he has to get elected. All that stands in his way is every other politician in the country and his own fear of public speaking.
Art Direction:
Penny Southgate
Sarah Stollman
Associate Producer:
Rick Kalowski
Best Boy Grip:
Brendan Madden
Boom Operator:
Robert 'Gotch' Cutcher
Business Affairs Coordinator:
Michaela Kalowski
Camera Operator:
Rodney Bolton
Casting:
Gregory Apps
Cinematography:
David Foreman
Costume Design:
Anita Seiler
Digital Compositor:
Rebecca Dunn
Sandeep Vengsarkar
Director:
Ted Emery
Dolby Consultant:
Bruce Emery
Editor:
Stephen Evans
First Assistant Director:
Pauline Walker
Foley Artist:
Adrian Medhurst
John Simpson
Gaffer:
Richard Rees-Jones
Grip:
Dan Sandford
Hair Assistant:
Penny Armstrong
Lighting Technician:
Peter Giuliani
Line Producer:
Barbara Gibbs
Location Manager:
Sarah Abbey
Makeup Artist:
Tracy Phillpot
Music:
Jim Conway
Michaela Kalowski
Music Consultant:
Andrew Kotatko
Post Production Supervisor:
Harry Avramidis
Producer:
Emile Sherman
Jonathan Shteinman
Production Accountant:
Mark Kraus
Production Coordinator:
Sally Clarke
Production Design:
Rita Zanchetta
Production Manager:
Barbara Gibbs
Props:
Yuri Poetzl
Scenic Artist:
Kylie Lawson
Script Editor:
John Alsop
Second Unit Director:
Rick Kalowski
Set Decoration:
Toni Forsyth
Karen Hannaford
Sound Designer:
Frank Lipson
Sound Effects Editor:
Michael Carden
Sound Recordist:
Toivo Lember
Still Photographer:
Matt Nettheim
Stunts:
Jennifer Bichard
Third Assistant Director:
Rebecca Summerton
Wardrobe Assistant:
Heather Wallace
Writer:
Rick Kalowski
Andrew Jones
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.