A work in constant progress (and occasional regress).
Release Date:
May 23, 1985
Original Title:
An Indecent Obsession
Genres:
Drama | Romance | War
Production Companies:
PBL Productions
Production Countries:
Australia
Ratings / Certifications:
N/A
Runtime: 100
Sister Honour Langtree (Wendy Hughes), is in charge of a military hospital for psychiatric patients. She however transgresses boundaries by developing a sexual attraction for a new patient.
Art Direction:
Ian Gracie
Assistant Grip:
Jon Goldney
Associate Producer:
Maura Fay
Best Boy Electric:
Graeme Shelton
Best Boy Grip:
Werner Gerlach
Boom Operator:
Graham McKinney
Camera Operator:
David Foreman
Cinematography:
Ernie Clark
Clapper Loader:
David Barry
Continuity:
Nicola Moors
Costume Design:
Graham Purcell
Director:
Lex Marinos
Editor:
Philip Howe
Executive Producer:
John Daniell
Michael Edgley
Executive Producer's Assistant:
Alex Cutler
First Assistant Director:
Robert Kewley
First Assistant Editor:
Lara Esam
Focus Puller:
Martin Turner
Gaffer:
Trevor Toune
Key Grip:
Robin Morgan
Makeup Artist:
Lesley Lamont-Fisher
Music:
David Skinner
Novel:
Colleen McCullough
Producer:
Ian Bradley
Production Accountant:
Matt Sawyer
Production Coordinator:
Sally Ayre-Smith
Production Design:
Michael Ralph
Production Manager:
Irene Dobson
Production Supervisor:
Michael Midlam
Second Assistant Director:
Deuel Droogan
Set Decoration:
John Osmond
Set Dresser:
John Osmond
Sound Assistant:
Rosemary Lee
Sound Re-Recording Mixer:
Gethin Creagh
Sound Recordist:
Ken Hammond
Standby Property Master:
Richard Hobbs
Still Photographer:
Carolyn Johns
Third Assistant Director:
Paul Grinder
Visual Effects:
Roger Cowland
Writer:
Denise Morgan
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.