A work in constant progress (and occasional regress).
Release Date:
October 14, 1986
Original Title:
Miles to Go…
Alternate Titles:
Daleka droga
Duell mit dem Schicksal
Előttem álló mérföldek
Moiran kohtalo
Un camino que recorrer
Un long chemin
Genres:
Drama | TV Movie
Production Companies:
Canadian International Film
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 100
After discovering that her cancer has returned, Moira Browning launches a quiet campaign to find a potential replacement for herself in her family's life.
Best Boy Grip:
Marc Charlebois
Boom Operator:
Thierry Morlaas-Lurbe
Casting:
Ginette D'Amico
Co-Producer:
Robert Baylis
Costume Design:
Renée April
Fabienne April
Director:
David Greene
Director of Photography:
René Verzier
Dolly Grip:
Robert B. Baylis
Editor:
Parkie L. Singh
Electrician:
René Guillard
Pierre Provost
Sylvain Bernier
Executive Producer:
Doris Keating
First Assistant Camera:
Denis Gingras
First Assistant Director:
Pedro Gandol
Foley Artist:
Andy Malcolm
Gaffer:
Jean-Marc Hébert
Grip:
Christian Benard
Hair Designer:
Ronald J. Rolfe
Hairstylist:
Benjamin Robin
Key Grip:
François Dupéré
Makeup Artist:
Lee Harman
Jocelyne Bellemare
Makeup Effects:
Charles Carter
Music:
Kenneth Wannberg
Producer:
Murray Shostak
Production Design:
Anne Pritchard
Production Sound Mixer:
Claude Hazanavicius
Scenic Artist:
Tristan Tondino
Second Assistant Camera:
Jean-Jacques Gervais
Second Assistant Director:
Blair Roth
Set Decoration:
Jean-Baptiste Tard
Michèle Forest
Set Propsman:
Patrice Bengle
Ian Lavoie
Sound Mixer:
Michel Descombes
Supervising Sound Editor:
Marcel Pothier
Unit Production Manager:
John Desormeaux
Danny Rossner
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.