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John Bair

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Film Production

Animation:
2017  How to Talk to Girls at Parties

CG Artist:
2005  Herbie Fully Loaded
2017  How to Talk to Girls at Parties

Title Designer:
2005  Herbie Fully Loaded
2008  New York, I Love You
2008  Synecdoche, New York
2017  How to Talk to Girls at Parties

Visual Effects Designer:
2005  Herbie Fully Loaded
2007  Grace Is Gone
2008  New York, I Love You
2008  Synecdoche, New York
2010  Vanishing on 7th Street
2017  How to Talk to Girls at Parties

Visual Effects Supervisor:
2005  Herbie Fully Loaded
2007  Grace Is Gone
2008  New York, I Love You
2008  Synecdoche, New York
2010  Salt
2010  Vanishing on 7th Street
2010  You Don't Know Jack
2011  The Adjustment Bureau
2011  The Beaver
2011  The Speed of Thought
2011  Tower Heist
2011  Young Adult
2012  Mighty Fine
2013  Europa Report
2013  Muhammad Ali's Greatest Fight
2014  A Most Violent Year
2014  The Fault in Our Stars
2015  Magic Mike XXL
2015  Mr. Holmes
2015  Paper Towns
2015  Z for Zachariah
2016  The Girl on the Train
2017  How to Talk to Girls at Parties
2017  It Comes at Night
2017  The Greatest Showman
2018  Can You Ever Forgive Me?
2018  Fahrenheit 451
2018  The Ballad of Buster Scruggs
2019  Motherless Brooklyn
2021  False Positive
2021  tick, tick... BOOM!
2023  Maestro

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.